Mest Kinematograficheskogo Operatora (The Revenge Of A Kinematograph Cameraman or The Cameraman’s Revenge). Today we go back a mere 108 years to Wladyslaw Starewicz’s The Cameraman’s Revenge, a terrific 13-minute piece of stop-motion. Synopsis Mr Beetle seeks companionship from a statuesque dragonfly dancer. Unaware that her ex-boyfriend, a slender grasshopper
Category: Silent era
Highest Grossing Film of the year: 1924 – The Sea Hawk – ★★★★
1924 was an odd year with not too many memorable films and the box office was also a tad quieter. The two biggest films of the year were Douglas Fairbanks expensive epic The Thief of Baghdad and then our largest grosser Frank Lloyds adaption of Rafael Sabatini’s novel The Sea
Highest grossing film of each year: The Covered Wagon (1923) ★★★
This time out in our series of reviewing the highest-grossing film of every year since 1915 to present-day we reach 1923 and it’s top grosser the long-forgotten The Covered Wagon. Let’s get into it, shall we? Synopsis Multiple wagon caravans join together in the desert heartland of American to push
Silent Sunday: Sunrise: A Song of Two Humans (1927) review ★★★★★
Sundays are for silent cinema and we have encountered some classics as of late such as Lillian Gish’s The Mothering Heart and Buster Keaton’s The General, this time out we go to F.W. Murnau’s 1927 classic Sunrise: A Song of Two Humans. Synopsis A cheating husband (George O’Brien) is persuaded
Highest-grossing Film of the Year: 1922 – Robin Hood ★★★
This time out in our series of reviewing the highest-grossing film of every year since 1915 to present-day we reach 1922 and it’s top grosser Douglas Fairbanks classic, Robin Hood or in its full title Douglas Fairbanks in Robin Hood (well he did produce, write and star in it, so
Silent Film Sundays: The Mothering Heart (1913) ★★★★★
A true tour de force performance from Lillian Gish in one of DW Griffiths best two-reel films. Welcome to Silent Film Sunday! This week we are in for a short two-reel (under 25-minute film) as I was on a bit of a deep dive of trying to watch all of
Highest Grossing Films: 1920 Way Down East
This week should have been 1919. But alas the highest-grossing film of 1919 The Miracle Man has been lost to us and only 2 minutes of footage remains. It is a bit difficult to review that. So we have had to move on to 1920 and we are now officially
Silent Sundays: The General (1927) review
Sundays are the perfect time to sit relax and watch something from back in the day. I am used to watching older films every Sunday with my dad and although they weren’t silent films (more Westerns, WW2 films or Roger Corman films). So, I thought it was best to look
Reviewing the highest-grossing film of the year (1918): Mickey
We move onto 1918 in our series of reviewing the highest-grossing film of each year. Last week we looked at Cecil B DeMille’s and Mary Pickford’s A Romance of the Redwoods. This week we move onto Mickey starring Mabel Normand. Due to only just watching more silent films this is
Silent Sundays – The Circus (1928) Review
Sundays are the perfect time to sit relax and watch something from back in the day. I am used to watching older films every Sunday with my dad and although they weren’t silent films (more Westerns, WW2 films or Roger Corman films). So, I thought it was best to look
Reviewing the highest-grossing film of the year (1917): A Romance of the Redwoods
Welcome back to our new series, where we take a look back at the highest-grossing films of each year. The last time out we reviewed the 1916 classic, Stuart Paton’s 20,000 Leagues Under The Sea. This time we return to our old friend Mary Pickford and in one of only
Anna May Wong, Piccadilly (1929) – Retrospective Review
We return this week to carry on our look at pioneering actresses from the Silent era of film. Last week we wrote about Lillian Gish and Mary Pickford. Today we focus on a pioneer of Asian American acting in Anna May Wong and her performance in Piccadilly. You could be
Mary Pickford, Stella Maris (1918) – Retrospective Review
This month we are looking at female pioneers of the silent era. Last time out we started off with Lillian Gish and her masterpiece The Wind. Today we go to one of her best friends and the second winner of the Best Actress Academy Award Mary Pickford. Pickford was one
Lillian Gish, The Wind (1928) – Retrospective Review
This month we will be looking at performances of pioneering actresses. Starting us off will be Lillian Gish who is known as being one of the pioneering actresses in the silent era of film. Instead of having a retrospective of her many films. We have chosen one specific film that