An absolute triumph from beginning to end, David A. Weiner continues his love letters to 80s cinema with In Search of Tomorrow. A tremendous glance back to a genre and a decade that we will never forget. Just a fantastic documentary.
Abel Ferrara does as Abel Ferrara does in Zeros and Ones. A film that actively tries to confuse and isolate you from what is happening on the screen. However, somehow something is mystifying that keeps you watching. Called to Rome to stop an imminent terrorist bombing, soldier J.J. (Hawke) desperately
Slapstick aplenty is served to us by Yernar Nurgaliyev’s horror-comedy, Sweetie, You Won’t Believe It. With an added generous helping of gore to keep us going, we are left with a film that struggles to break the one-dimensional stereotypes. After accidentally witnessing a murder by a group of thugs, the
Anthology series Soulmates does well when it throws it’s questions at the audience, with the main strength of the show is the level of acting. Yet with patchy writing, not all episodes strike the balance needed.
Sarah Adina Smith’s debut feature excels with the casting of it’s three leads and the uneasy atmosphere throughout. By staying true to its ambiguous nature it could frustrate, but there is more than enough to the story to enjoy.
Sean Durkin’s intricate family drama The Nest brings two powerhouse performances from his two leads. In addition, it showcases the pitfalls of yearning for power and money when you already have a perfect life.
An entertaining film that feels like a love letter to all the writers out there, struggling or best selling. Scare Me takes some bold decisions with its confined setting; taking advantage of a smart script & two great performances.
Jennifer Kent’s The Babadook is a masterful horror film, that takes advantage of its human story to scare the life out of you. An unmissable film in an unmissable package and out from Monday 26th
Imagine a plot along the lines of Final Destination without getting to see the deaths and played out by a cast who forgot to emote. Don’t Look Back is a woefully sloppy film that has few bright sparks to speak of.
The filmed performance of Ian Rickson’s production of Uncle Vanya astounds. A beautiful yet utterly heartbreaking piece with faultless performances. It will live long in the memory. An unmissable experience
As you go further into Akos Armont’s Brabham, the more confused the film appears to get what it wanted to be. While it can be a solid introduction to the life of multi-time Formula 1 champion Jack Brabham
Lake Mungo is a wonderfully weaved story that draws you in and utilises atmosphere and fantastic casting to be that cult film that everyone should watch at least once. A perfectly crafted film that astounds you with how authentic it is.
A film that goes for the big swings somehow keeps itself together, thanks to terrific performances and a visual style to dream for. Couple that with its hymnal score, then Mandy is a sure-fire winner of a film.
With brutal action, The Swordsman becomes a film that capably mixes itself as an entertaining martial arts action film inside a compelling historical drama. A confident and well-executed film that does everything right.
Eirik Svensson’s has created a compelling and moving humanist tale here with Betrayed. A film that is a haunting reminder of the pain of your own community and friends deserting you and at times condemning you to a horrible fate. Based on True Events. The Nazi agenda knew no borders. As the
The Virtuoso is held back by an uninspiring script that hampers itself from the start; a premise that could have had legs is wasted to become a standard assassin thriller. Given only a time, a location, and a cryptic clue, the methodical hitman (Anson Mount) must identify his mysterious foe
Second Sight has made a package that shows the true joy of physical media with their new release of Julia Ducournau’s 2016 film Raw. A special edition release that is worthy of the film that it accompanies.
As The Oak Room begins, you never expect it to be as thoroughly engaging as it eventually becomes. Cody Calahan’s film is assumedly effective in a lo-fi movie that strikes you with its simple premise and striking visuals.
Jordan Downey’s atmospheric The Head Hunter is a beautifully shot piece that does so much right with so little that you are left begging for more. A thriller that knows what its intentions are and executes them perfectly.
Portal has high aspirations, and for that, it should be commended and ably brings the audience in with it. Sadly it never keeps up its end of the bargain, and those expectations that the audience had are never met.
Welcome to your new favourite cult midnight movie. For the Sake of Vicious is a film that wears its bloody heart on its sleeve and, after a tense opening half, let’s loose in ways that will have you clapping away in glee.
Willy’s Wonderland is a stupid film, not a fun horror. It is a pointless film trying to piggyback on a tired videogame. Utterly terrible and devoid of anything worthwhile. Toss into the forget immediately pile. I wish I could.
Red Rage throws everything at the wall, and in some cases, parts stick, but far too often, it slides down said wall as slowly as possible, and never bothers trying to clean up its own mess.
Sven Huynrecht’s Torpedo U-235 is a contemporary submarine film that ticks all of the boxes you need. This is a film that will surprise you with just how good it is. This is a highly rewatchable flick.
Johnny Martin’s Final Days take its time with its story but wisely uses that time to build up a great sense of desolation for the survivors as the action becomes more and more intense. While not reinventing the wheel, this is a surprisingly solid film.
Don Seigel and Michael Caines underseen film The Black Windmill was Taken before Taken could be a thing. This new release from 101 Films brings us a solid film that brings together great actors in an entertainingly gritty crime thriller.
Hu Guan’s The Eight Hundred is a tour de force of a war film that showcases heroism at its finest. This brutal film, likes the soldiers in the Shang warehouse, gives no quarters. An awe-inspiring film.
Silk Road sees documentarian Tiller Russell venture into dramatic fare with a story that should be right up his alley. Yet by altering this true story, some of the emphasis is lost, hindering itself from the get-go.
Phil Sheerin’s bleak Irish drama is held together thanks to its four leads and some superb direction. The Winter Lake slightly lacks in its plot development; however, those wanting a low key mystery drama are in for a treat.
Anthony Scott Burns moody and lo-fi science fiction film has echoes of Cronenberg as it stylishly engrosses yet at the same time unsettles. A terrific movie that is a gem ready to be discovered by audiences.
A decent homage to the well worn hill billy films. Butchers has the potential to be far more better than it ends up being floundering by being just too predictable with its story and plentiful clichés.
Lamberto Bava’s essential Italian horror films Demons and Demons 2 are getting the Ultra 4K treatment from Arrow. This marvelous boxset is a must buy chocked full of extras and commentaries. An splatter fest joy.
Exploitation cinema has been around for a very long time; how long? Well, Shogun’s Joy of Torture was made in 1968, and it has been given the complete Arrow Video treatment in this wonderfully depraved Blu Ray release.
We have a film striving to take a big step away from its predecessors, and it is all the better for doing so. Wrong Turn is an intense, well-written horror that puts its solid stamp on the genre.
Despite a strong performance from Danielle Harris, Skin Collector is held down by it’s laugh out loud bad script. With some great ideas, this should be far better than it eventually ended up being. Such a disappointment.
Jennifer Kent’s The Nightingale is an extraordinary bold film that is never afraid to go where others dare not. Coupled with performances that will live long in the memory, this is a film that needs to be seen.
A film that has its moments, but is seriously held back by some of the disinterested cast and CGI effects that time forgot. Anti-Life could be so much better than it ends up being. A real shame.
Director William Olssen’s Lost Girls and Love Hotels presents a bleak character study of a person trying to numb their senses to forget their past. A film about loneliness and yearning to forget.
Mark Sheridan’s Irish horror has elements that work tremendously, leads Elva Trill & Ed Murphy are particularly strong. Sadly Crone Wood just fades away by trying to do too much in the short runtime it has.
Yoshihiro Nishimura’s Tokyo Dragon Chef is a toned-down version of his previous bloody work, but this reined in style only enhances his joyful work. An utter joy for fans of his work and a handy introduction to those who haven’t seen his films.
Guy Moshes LX 2048 starts so promisingly but begins to teeter off the edge by the final act. Such a shame as James D’Arcy commands a film that poses interesting questions, without ever truly trying to figure out the answers.
[REC] is a claustrophobic horror gem that took everyone by surprise and 13 years later, it still cements itself as one of the best horror films of the 21st Century. An exhilarating 74-minute ride
Seized is a low budget action thriller that ticks all the boxes for fans. Scott Adkins and Mario Van Peebles shine in a film that brings you in for the action, but makes you stay for the fantastically ridiculous dialogue.
Saw meets The Greatest Showman while also meeting My Little Eye. In Søren Juul Petersen’s feature debut horror The Ringmaster starts off so promisingly before petering out by the films end.
Skyfire (天·火) harks back to a simpler time when disaster movies ran the summer market. This flawed but entertaining Chinese film has a lot of charm with some great action set pieces. Skyfire (天·火) is the epitome of a summer popcorn flick.