Full of tenderness, heartache & cruelty, Beautiful Beings is a must-watch film that offers a portrait of friendship despite abandonment. You will gain something with each viewing – brutally fantastic.
Edouard Philipponnat is outstanding as the doomed Aiden in Michelle Danner’s solid The Runner. A film that does some great work at making her latest a warning for those tempted by the allure of drugs.
What should be a standard mystery thriller, Most Horrible Things becomes a muddled endeavour. A film that never really gets going the way you want it to, and by the time it tries, it is far too late. When six young strangers are invited to a once-in-a-lifetime opportunity – an exclusive dinner
A frustrating film, that is elevated by performances from Sadie Sink & Theo Rossi, Dear Zoe has just too much going on in the wrong places at times. Gren Wells gives her film a lot of heart making it still worth a viewing. When Tess and her family suffer an
Another gem of a picture from Justin Benson and Aaron Moorhead, Something in the Dirt, is possibly their biggest triumph. A film that fans of the duo will wholeheartedly adore. With it also becoming a wonderful jumping-in point for new audiences. Benson and Moorhead have firmly cemented themselves as the filmmakers to watch with
The Sleep Experiment is a frustrating watch. Some moments work very well, yet the faults are sadly too front and centre to ignore. A film that hinders itself when it has everything going for it. Two detectives begin investigating the ethics involved in the top-secret research facility, Porton Down. One
The Moviegoer is Ross Munro’s short film love letter to cinema. Fun and heart-warming, his film allows you to reminisce fondly and brings so much charm that you can’t help but like it.
A great premise with impactful moments The Last Son has all the makings to be a great Western. Sadly it stumbles in the middle act, but importantly never falls. There is a lot to like about the film including Worthington and Colson. It’s the bleakest of winters, and LeMay (Sam
For a prequel in a long running franchise, Prey has no right to be as good as it is. Yet, Dan Trachtenberg has helmed a fantastic genre film with Amber Midthunder emerging as an absolute star. A fantastic must watch film. Naru (Amber Midthunder), wants to emerge as the latest
Rogue Rubin’s Lion Spy takes you through a wide range of emotions in its 76 minutes, from anger all the way to being inspired. A fantastic and urgent documentary that pushes you into action.
If you love a mystery thriller, then Broadcast Signal Intrusion is the film for you, but beware, dear viewer, much like our protagonist, you could be left burrowing down that rabbit hole too. A great homage to the noir thriller. In the late 90s, grieving video archivist James (Harry Shum
Elizabeth D. Costa’s Bangla Surf Girls shows us the struggle with being pressured into conforming to tradition despite your aspirations and the resilience in young women to push against the social tide. At times brutal with its honesty, this beautifully compelling documentary is fantastic. Shobe, Aisha and Suma break away
A film that keeps itself laser focused in showing us the state of despair & pain that the Burmese people have been put through. Full of anger and resilience, the young filmmakers have made a heartbreakingly powerful film.
An absolute triumph from beginning to end, David A. Weiner continues his love letters to 80s cinema with In Search of Tomorrow. A tremendous glance back to a genre and a decade that we will never forget. Just a fantastic documentary.
Abel Ferrara does as Abel Ferrara does in Zeros and Ones. A film that actively tries to confuse and isolate you from what is happening on the screen. However, somehow something is mystifying that keeps you watching. Called to Rome to stop an imminent terrorist bombing, soldier J.J. (Hawke) desperately
While The Vault is an enjoyable enough heist film, it never quite steps itself out from being a paint by numbers endeavour. Its predictability hurts it, but there is still plenty here to have fun with. When an engineer (Freddie Highmore) learns of a mysterious, impenetrable fortress hidden under The
Adan Bonet opens the eyes of the viewer to the gruelling endeavours of being a mother and an Olympic calibre athlete in Ona Carbonell: Starting Over. A wonderful look at what willpower is in humans. This intimate new documentary follows the Spanish synchronised swimming Olympic medallist, from the birth of
Filled with melancholy and beauty, Moon Manor truly surprises. This wonderful yet heartbreaking film celebrates life; this is a brilliant little gem of a film. On his last day alive, Jimmy (James Carrozo) will show his estranged brother, salt-of-the-earth caretaker, sharp-witted death doula, a novice obituary writer, a cosmic being,
Filled with charm, Adventures of Success at times works wonderfully, but even with fleshed out and interesting characters, led by Lexie Mountain, there are some issues as the film stutters in the middle. Regardless there is a lot to enjoy with Jay Buim’s movie. Led by a mystical female founder
Maria Demeshina Peek’s documentary, Sextortion: The Hidden Pandemic offers a disturbing glance at what goes on online when parents cannot see. A difficult, yet important watch for everyone. “Sextortion: The Hidden Pandemic” tackles extremely disturbing yet timely subject matter and is an investigation into the world of online grooming and
Atmospheric sci-fi, The Long Walk, takes its time with the audience as it languidly broaches upon grief and memory while asking an insurmountable amount of questions. Mattie Do’s film works on you in ways that you truly do not expect. A man (Yannawoutthi Chanthalungsy) is rumoured to be able to
Slapstick aplenty is served to us by Yernar Nurgaliyev’s horror-comedy, Sweetie, You Won’t Believe It. With an added generous helping of gore to keep us going, we are left with a film that struggles to break the one-dimensional stereotypes. After accidentally witnessing a murder by a group of thugs, the
Netflix’s Texas Chainsaw Massacre keeps with the brutality of the first film, but is weighed down by its story, lack of tension and repetitive nature to fully enjoy it. Come for the kills only. Such a shame.
Max von Sydow and Astrid Roos do what they can with Echoes of the Past, a film that should have kept its story as simple as possible, but due to some misguidedness, veers off, leaving us with a difficult film to grapple with. When the Greek government launches a multi-billion
Blake Ridder’s feature debut Help, tackles some uncomfortable issues and, for the most part, is a solid psychological thriller that hits the right notes. However, with some glaring issues, it does struggle in the final act but remains a solid film. A painful break-up prompts Grace (Emily Redpath) to visit
American Night falls foul of trying to be far too ambitious. Structuring the story in a non-linear manner isn’t hampers all momentum, and despite all the style and stellar cast, nothing can save it from the writing. Instead, American Night is about Michael Rubino (Emile Hirsch), the new head of
Anthology series Soulmates does well when it throws it’s questions at the audience, with the main strength of the show is the level of acting. Yet with patchy writing, not all episodes strike the balance needed.
Radu Jude has made a messy, at times incomprehensible film in Bad Luck Banging or Loony Porn, yet it is also a film that you cannot stop watching as it is endlessly entertaining and does, in fact, leave you thinking.
At times, Nicholas Ashe Bateman’s debut #TheWantingMare feels like someone recalling a dream, present, without ever being fully fleshed out. Yet he has done some phenomenal world-building here and seriously impresses.
Barbora Chalupová and Vít Klusák’s documentary Caught in the Net is the stuff of literal nightmares about grooming on the internet. This is a thoroughly depressing yet vital film that is compelling as it is difficult to watch.
Writer-Director Jeremiah Kipp uses horror to accentuate the emotionally devastating life of a young teen in film Slapface. The constant stream of torment that engulfs the excellent August Maturo breaks you a unexpectedly powerful film.
With striking visuals and a lead performance from the always reliable Scout Taylor-Compton, Rich Ragsdale’s The Long Night surprises with just how effective it is. While it does occasionally stumble, it remains an enjoyable folk horror
Nafisa (Mihad Murtada) is a teenage girl in a Sudanese village who, despite her crush on someone else – is facing an arranged marriage thanks to her parents to Nadir (Mohammed Magdi Hassan). Her grandmother, the powerful matriarch Al-Sit (Rabeha Mohammed Mahmoud), has her own plans for Nafisa’s future. Writer-Director
Sarah Adina Smith’s debut feature excels with the casting of it’s three leads and the uneasy atmosphere throughout. By staying true to its ambiguous nature it could frustrate, but there is more than enough to the story to enjoy.
A technical marvel this is an example of what can be done with lo fi filmmaking. The skills of everyone involved in making this film work needs to be applauded; best of all, it is a brilliantly entertaining film.
Sean Durkin’s intricate family drama The Nest brings two powerhouse performances from his two leads. In addition, it showcases the pitfalls of yearning for power and money when you already have a perfect life.
What should be a standard revenge thriller takes a hard turn into the schlock, and it is all the better for it. While not perfect, The Retaliators blunt approach, coupled with Michael Lombardi’s performance, makes it an entertaining horror An upstanding pastor John Bishop (Michael Lombardi), uncovers a dark and
A slow burn narrative allows for eco-horror Gaia to come into its own by taking advantage of stunning visual storytelling. Jaco Bouwer’s film entrances you and does so much right and makes you pay attention to it.
Somewhere deep within Behemoth, there lives a great thriller. It is just a shame it never realises it and tries to become something it shouldn’t. As a result, this film made for literal pennies overstretches itself. A true shame.
An entertaining film that feels like a love letter to all the writers out there, struggling or best selling. Scare Me takes some bold decisions with its confined setting; taking advantage of a smart script & two great performances.
This quiet & bleak chamber piece works very well during its engaging opening act, & tension racked finale. However, #Settlers middle act frustrates due to the lack of answers to the questions posed, regardless, this is an impressive debut.
A muddling action film that doesn’t quite know what it is trying to be. There are glimpses of a good film living underneath Out of Death, but with such a terrible script, the only saving grace the film has is the strong turn by Jamie King,
Distant direction choices almost overshadow the Offerings dense narrative and strong cast performances. This cynical but intriguing film takes its time at fully getting to its point but remains effective in its execution.
Rife with nail-biting tension, Lonnie Chavis & Ezra Dewey are phenomenal in The Boy Behind The Door. With a simple story done exceptionally well, directors David Charbonier and Justin Powell have created a wonderful thriller.
Flippo Meneghetti’s feature debut Two of Us is a heartbreaking look at the battle to keep love together during the most trying of times. A drama that tenderly and carefully carries you along, and like Nina, makes sure never to let you go.
A psychological drama that never connects in the way that it thinks it does. A Perfect Enemy misses more than it hits, but when those hits flash before us, they do work well though the lead up to the finale is what costs the film. Successful architect Jeremiasz Angust is approached on
Rife with atmosphere & doom, this is a film that sticks to its deliberate pacing to show us the struggles of sacrificing everything for family. But it keeps its cards far too close to its chest narratively.
Yaniv Raz’s adaption of Dr Bird’s Advice for Sad Poets shows how it was a book made for the big screen. This offbeat look at mental health in teenagers occasionally stumbles but is able to stay on its feet to be an entertaining film. Enter the whimsical world of James
Imagine a plot along the lines of Final Destination without getting to see the deaths and played out by a cast who forgot to emote. Don’t Look Back is a woefully sloppy film that has few bright sparks to speak of.
The filmed performance of Ian Rickson’s production of Uncle Vanya astounds. A beautiful yet utterly heartbreaking piece with faultless performances. It will live long in the memory. An unmissable experience
As you go further into Akos Armont’s Brabham, the more confused the film appears to get what it wanted to be. While it can be a solid introduction to the life of multi-time Formula 1 champion Jack Brabham
Damian McCarthy’s feature debut Caveat is a claustrophobic success that knows precisely what to do to creep you out. A smartly written and directed film that provides the audience with an exciting new voice.
Come & stay for the gore & the B-movie tropes as there isn’t much else going on with Skull: The Mask. A film that falls short of being great due to it forgetting that there needed to be a solid story to hold it all together.
John Huddle’s drama has its thinking cap on, and while it falters occasionally. It succeeds in being a refreshing story that allows ideas and thoughts to shine. The Philosophers surprises with just how good it is.
Caroline Williams gives the best performance of her career in Ten Minutes to Midnight. This film has a wonderful underlying story that has you come in for the horror but stay for the on point and insightful commentary.
A film with good intentions, Homewrecker just doesn’t click due to some amateur work behind the camera. A genuinely disappointing film despite the efforts of its two leads to make it something more.
#ArmyoftheDead flatters to deceive with a premise that should make it stand out. but is severely lacking in its script by being just too predictable. Neither disappointing nor great, this is a film that settles with being just okay.
And I, And I. Dir Lam Yan Yue Judy, a single mother and Peter, her intellectually disabled son, have been through 45 years with each other. As minorities, lives were half spent with forgotten dreams and helpless love. Yet, they found a temporary exit through music. A genuinely wonderful short
Stalker is hampered by a laboured & predictable middle half but is saved with a cracker of a final act. A solid thriller that visually paints a great picture, but falls just when you want it to leap. However, it is still worth your time.
Alex Noyer’s film utilises its horror graphically well. Yet it shines most when it explores what is under the pools blood left behind with a story full of tragedy, desperation wrapped around PTSD and addiction – A must-see film.
A practical effects-laden joy. Psycho Goreman is everything a genre fan would love but can also go beyond a niche B-movie to be a schlocky film that will entertain everyone. Siblings Mimi and Luke unwittingly resurrect an ancient alien overlord who was interred on Earth millions of years ago after a failed
A relentlessly compelling action packed thriller, your are invested right from that unbelievable opening sequence. Any minor faults are so readily forgiven, a joy of an action film made for the big screen.
Shock Wave is a terrific spectacle of a film that harkens back to the classic 90’s action thrillers. With an awful lot to love about this entertaining film, it becomes a wonderful surprise of a movie.
Thomas Gullestad is a revelation here in the WW II drama The 12th Man. It is a harrowing and grueling film that never lets up or lets you out of its grip until the final scene—an underseen gem of a movie that fully deserves a chance.
John Berardo’s Initiation is a welcome addition to the genre, an excellent slasher has something to say, working best when it centres itself in the world of realism. A film that has its cake & eats it. Watch this great horror immediately.
With brutal action, The Swordsman becomes a film that capably mixes itself as an entertaining martial arts action film inside a compelling historical drama. A confident and well-executed film that does everything right.
Chino Moya’s hauntingly bleak debut feature Undergods is an ambitious trio of tales expertly interwoven film. A vision that makes him a filmmaker to look out for. A very impressive movie. A collection of darkly humorous, fantasy tales about ill-fated characters and doomed fortune: in a dystopian, post-apocalyptic Europe, K
Eirik Svensson’s has created a compelling and moving humanist tale here with Betrayed. A film that is a haunting reminder of the pain of your own community and friends deserting you and at times condemning you to a horrible fate. Based on True Events. The Nazi agenda knew no borders. As the
Max Strands feature debut is a thriller that does an awful lot right with its minimal style and two great performances. However, it stretches itself too thin just when you are fully compelled. However this is still one to catch.
An abysmally dull affair, Robin Hood: The Rebellion never does anything of note other than frustrating its audience with some terrible action & meaningless dialogue. A shambolic film that should be avoided for your own sanity.
Michael Burn’s Peaks and Valleys is a wonderful character study of two people who find each other at the right time. With memorable performances in a gorgeous setting, this is a drama that captivates you from beginning to end.
Powell Robinson & Robert-Patrick Young’s Threshold works best when it focuses on its two siblings simply trying to reconnect. Despite the painfully rushed ending, it shows moments of beauty and allows the viewer to enjoy the overall journey
Brad Helmink and John Rauschelbach’s film is a tremendously effective thriller that does everything possibly right. A slow-burner that reels you in, this is a must-watch film that deserves to find as wide an audience as possible.
With an overbearing score and a script that simply cannot get to grips with what supernatural influence it wants to take from, The Darkness never gets going. Resulting in a flawed, disjointed film that fails its audience in almost every way possible.
A wonderful documentary about the auteur Ann Hui. Keep Rolling is an exploration into her storied career that links in perfectly with her personal life. For those unfamiliar with Hui, this remains an open & appealing introduction to the filmmaker.
An interesting & satisfying documentary that doesn’t quite delve into our subjects as much as you would want it to. Yet, you are invested to the piece thanks to some wonderful visual choices from Vreeland.
The Virtuoso is held back by an uninspiring script that hampers itself from the start; a premise that could have had legs is wasted to become a standard assassin thriller. Given only a time, a location, and a cryptic clue, the methodical hitman (Anson Mount) must identify his mysterious foe
Danny Madden’s fantastic feature debut Beast Beast is bold with its perfectly built tension and a final act that hits you like a train, becoming an unmissable and urgent film for young adults in a modern world.
With two fabulous performances from Tsai Chin and Hsiao-Yuan Ha, Lucky Grandma weaves a delightful tale that delivers the laughs and knows when to pull at your emotions to bring us a charming film that showcases the value of family.
An enjoyable romp that knows not to take itself overly seriously, though it wouldn’t hurt itself to do so to make it a stronger film. A very watchable live-action sequel that keeps true to its anime roots.
Writer-Director Lawrence Michael Levine’s Black Bear mesmerises with its three devastatingly good leads. This film is full of ambiguity that keeps you engrossed and unable to look away as these characters destroy themselves.
A touching tribute to an outstanding producer, Laddie: The Man Behind The Movies is a documentary that should be appreciated by all film fans. While it is far too short, it remains an enjoyable journey. Laddie: The Man Behind the Movies is the story of Alan Ladd Jr., the Oscar-winning producer and
While being a solid flick, Forget Everything And Run loses itself as it it unveils itself as a standard post-apocalyptic jaunt. A film that takes all too familiar footsteps & regretfully never tries to make its own path.
As The Oak Room begins, you never expect it to be as thoroughly engaging as it eventually becomes. Cody Calahan’s film is assumedly effective in a lo-fi movie that strikes you with its simple premise and striking visuals.
The Banishing – ★★★
A solid ghost story, with some great performances, Christopher Smith’s The Banishing gets so close to being a tremendous, however it fizzles out all too soon before the end credits.
Gillian Wallace Horvat’s wonderfully uncomfortable yet sharp debut feature I Blame Society, is a film that gets under your skin and once it gets going takes zero prisoners. We have a film that is as fantastic as it is creative.
The high hopes of Neil Marshalls The Reckoning is quickly dissipated by a run of the mill story with woeful dialogue and one of the most overpowering scores in recent times. This is one that sadly needs to be avoided. Set against the Great Plague’s backdrop and subsequent witch-hunts against women, Grace
With a powerful and relatable storyline, What’s Eating Gilbert Grape is a look at small-town America that gives it all the respect it deserves, allowing the film to keep its heart. Gilbert Grape (Johnny Depp) feels trapped – with no father present and an eccentric family to care for, he
Siberia is a film that will disappoint those wanting an intriguing thriller, but if you stick around for a doomed romance plot, then there is something worthwhile here. Sadly there isn’t much else to grasp onto.
Samuel Van Grinsven’s debut feature is a superb cautionary tale for young gay men, Sequin in a Blue Room is film at its best. This is an essential watch. Sequin (Conor Leach) explores his burgeoning sexuality through an obsession with anonymous, no-strings sexual encounters. That is until he finds his way into The
Portal has high aspirations, and for that, it should be commended and ably brings the audience in with it. Sadly it never keeps up its end of the bargain, and those expectations that the audience had are never met.
A short, yet interesting look at the long running series that is perfect as a starter introduction to the 30 year plus franchise.
Available on Arrow Player now as part of their stories section.
Welcome to your new favourite cult midnight movie. For the Sake of Vicious is a film that wears its bloody heart on its sleeve and, after a tense opening half, let’s loose in ways that will have you clapping away in glee.
Willy’s Wonderland is a stupid film, not a fun horror. It is a pointless film trying to piggyback on a tired videogame. Utterly terrible and devoid of anything worthwhile. Toss into the forget immediately pile. I wish I could.
Red Rage throws everything at the wall, and in some cases, parts stick, but far too often, it slides down said wall as slowly as possible, and never bothers trying to clean up its own mess.
If you want to know the quality deep within Steven Seagals Mercenary For Justice, there is a line in the film that goes, “Yeah, that’s it for you poophole”, and in a weird sort of way, that sums up the film perfectly.
Sven Huynrecht’s Torpedo U-235 is a contemporary submarine film that ticks all of the boxes you need. This is a film that will surprise you with just how good it is. This is a highly rewatchable flick.
Johnny Martin’s Final Days take its time with its story but wisely uses that time to build up a great sense of desolation for the survivors as the action becomes more and more intense. While not reinventing the wheel, this is a surprisingly solid film.
We have a film that totally misreads what audience it should be targeting and by trying to go more mature, Shortcut never convinces its audience enough. This is a film that needs to be aimed at younger audiences to be more effective.
As we reach the end of BFI Flare, we highlight the absolutely fantastic shorts that the festival had on offer. Blurred lines of love & friendship between women are explored in these poignant and beautiful films.
As we reach the end of BFI Flare, we look at the shorts section. Second up is For the Record, traversing a wide range of subjects, this inspiring selection of short-form documentaries is guaranteed to provoke & inspire.
As we reach the end of BFI Flare, it is time to highlight the absolutely fantastic shorts that the festival had on offer. Throughout today we will be breaking down the seven categories and all of their films. First up is the Beginnings and Endings section. If you miss out
Kourosh Ahari’s The Night is a throwback of a horror that allows for its ample tension to build, coupled with a great script and two fantastic performances, this is a film that never lets you settle.
Charlie Says lacks the substance to keep itself moving and when the script has so little depth to it, the whole movie struggles and becomes a laboured piece. A disappointment that missed its chance to say something of note.
Sylvester Stallone returns for Escape Plan 3, which is far better than the sequel but still languishes from the original. This serviceable action jaunt isn’t the best film, but it never tries to pretend to be.
A heartwarming love letter to a more physical world, An Impossible Project is a wonderful documentary by Jens Meurer. A film that both digital and analogue lovers can enjoy and one that they will find hard not to smile throughout. For some, digital is all they know and has totally
Hu Guan’s The Eight Hundred is a tour de force of a war film that showcases heroism at its finest. This brutal film, likes the soldiers in the Shang warehouse, gives no quarters. An awe-inspiring film.
Demon is a film that, if given a 30-minute runtime, would be an exceptional look at racial bias and male mental health. Sadly it goes on for too long with too many terrible performances worsened by a plot that doesn’t do enough—a true shame.
Jake Mahaffy’s Reunion utilises its slow-burn storytelling to compel its audience. This complex tale occasionally trips itself up, but with a killer finale, it makes it a film that is worth the build.
Jennifer Tiexiera and Michael Seligman’s P.S. Burn This Letter Please is an astounding documentary that captures its audience early and never let’s go. Full of important stories and experiences, this is an essential watch.
Cured is a film that celebrates the struggle for LGBTQ rights in an era where a simple line in a book stole their freedom for decades. This film has a direct motive in highlighting and educating its audience, to which it does so tremendously.
Sacrifice is a horror that forgets that it is trying to tell its audience a story and instead focuses on giving us beautiful shots and imagery. With an able cast who do their best, they are hindered by an underwritten script.
Lava finds Buenos Aires in a state of chaos as giant snakes, cats and witches start taking out people one by one. This entertaining, albeit all too short feature, is a lighthearted adult animation that will bring the chuckles and you asking for more. Débora, a lonely tattoo artist, endeavours to
Silk Road sees documentarian Tiller Russell venture into dramatic fare with a story that should be right up his alley. Yet by altering this true story, some of the emphasis is lost, hindering itself from the get-go.
While Fukushima 50 comes from a more fact-based background, it can pinpoint how close Japan was to total disaster and how a small group of plant workers became heroes. An emotionally rewarding film of heroism.
Lost in what direction and story it wants to tell, a film that could have so much promise as a drama or a horror. Instead, this mishmash doesn’t go far enough with either subplot to make itself felt.
Phil Sheerin’s bleak Irish drama is held together thanks to its four leads and some superb direction. The Winter Lake slightly lacks in its plot development; however, those wanting a low key mystery drama are in for a treat.
Anthony Scott Burns moody and lo-fi science fiction film has echoes of Cronenberg as it stylishly engrosses yet at the same time unsettles. A terrific movie that is a gem ready to be discovered by audiences.
Jill Gevargizian continues her upward trajectory as a filmmaker with her strong feature debut The Stylist. Led by the empathetic yet murderous Najarra Townsend, we are given a film that expands upon her 2016 short tremendously.
It may not seem it at first, but Natasha Kermani’s Lucky is an angry film that challenges its audience while still wearing its heart firmly on its bloody sleeve. A sharp film that makes it’s presence felt.
A decent homage to the well worn hill billy films. Butchers has the potential to be far more better than it ends up being floundering by being just too predictable with its story and plentiful clichés.
Laurence Gough’s second feature is a film that you cannot predict, and from the tense and harrowing opening, the audience will not be able to peel their eyes away from the screen. A true gem of a picture.
We have a film striving to take a big step away from its predecessors, and it is all the better for doing so. Wrong Turn is an intense, well-written horror that puts its solid stamp on the genre.
Braden R. Duemmler’s What Lies Below is a stylish sci-fi horror driven by its three exceptional leads. With a great premise with a multitude of interesting elements, this is an atmospheric film not to let sneak under your radar.
Despite a strong performance from Danielle Harris, Skin Collector is held down by it’s laugh out loud bad script. With some great ideas, this should be far better than it eventually ended up being. Such a disappointment.
Jennifer Harrington’s feature is a stylish horror with a great premise. It’s problematic opening half is far outweighed by its excellent second. Shook offers a scathing look at the effects of social media on today’s influencer crazed society. A film that has so much potential, but just doesn’t quite hit
A heartbreaking tale of losing one’s innocence during Soviet occupation, by a regime that cares as little for you or its soldiers. It struggles to remain compelling despite some particularly strong performances.
A film that has its moments, but is seriously held back by some of the disinterested cast and CGI effects that time forgot. Anti-Life could be so much better than it ends up being. A real shame.
Broil brings with it an interesting premise and a sprinkling of great moments. Yet struggles with this potential. In the end actually needing more runtime to flesh itself out. However, this is still a film where much reward can be found.
Lara Jean Gallagher’s feature debut takes us on a slow journey filled with mystery and questions as it has the viewer sink into its interesting mood. Sadly it leads itself astray, but not enough to lose the audience.
Greta Bellemacina’s Hurt By Paradise is a whimsically charming piece that floats through its running time by rarely giving its audience something to grab onto to fully embrace both of the leads.
Director William Olssen’s Lost Girls and Love Hotels presents a bleak character study of a person trying to numb their senses to forget their past. A film about loneliness and yearning to forget.