Luàna Bajrami’s terrific debut feature at the age of just 20 is a tremendous look at young women trapped in their small Kosovo town. With naturalistic performances and observational direction, we have an empowering film in The Hill Where Lionesses Roar. In a small remote village in Kosovo, three young
Tag: film
The Power of the Dog – London Film Festival
Apart from Benedict Cumberbatch’s performance, The Power of the Dog never rises above serviceable. Unable to delve deeper into its own story and rather unforgivably keeping its audience at arm’s length throughout.
The French Dispatch
An ambitious film that struggles under its own weight. The French Dispatch becomes unwieldy and, as such, loses the energy that it had opened with. Yet it remains a wonderful love letter t o print journalism.
Titane – London Film Festival
Titane is bold and visceral, but actually works best when it focuses itself on the main themes of the story. Instead Ducournau’s film gets too wrapped up in the lure of shocking it’s audience that it leaves behind the story.
Flee – London Film Festival 2021
An intimate and enthralling documentary that makes excellent use of some gorgeous animation to tell this deeply personal story. While centered on Amin’s fight to get to a safe country, it quickly becomes a film about far more than that. Flee is an incredibly moving film.
Language Lessons – London Film Festival 2021
Natalie Morales’ Language Lessons is an assured film that is unafraid to play with your heart. Aided by the fantastic Mark Duplass we are left with a relatable and emotional film that is simply faultless.
The Wolf Suit – London Film Festival 2021
The Wolf Suit is a cathartic film by Sam Firth. Not only is it that for her, but also audiences who have experienced something similar. A deeply personal and utterly fascinating documentary.
Bantú Mama – London Film Festival 2021
Uneasy yet endlessly hopeful, Bantu Mama refreshingly tells us a story through Afro-European and Afro-Caribbean eyes. From start to finish, we have an excellent film that pulls you in and astounds you.
Sediments – London Film Festival
Adrián Silvestre’s Sediment is an empathetic and, at times, a joyful film that allows a group of six transexual women to be themselves in a most welcoming environment. An important film that should have as wide an audience as possible.
Clara Sola – London Film Festival
A staggering piece of cinema that on all fronts takes your breath away. Wendy Chincilla Araya steals the show in Nathalie Álvarez Mesén sensational feature debut Clara Sola
Cannon Arm and the Arcade Quest – London Film Festival 2021
Cannon Arm and the Arcade Quest is a documentary that showcases the importance of finding kindred spirits. While it takes detours along the way, it is still a wonderfully heartwarming film.
Mothers of the Revolution – London Film Festival 2021
Mothers of the Revolution is a moving and riveting documentary that showcases the power of dedication and how no matter the cause, it is worth fighting for. Briar March’s film is an important documentary to watch.
Money Has Four Legs ★★★- London Film Festival 2021
A pointed satire that does the small things very well, yet when it reaches beyond itself it begins to plod. However, there is still an awful lot to enjoy here in Money Has Four Legs. Due to money-stricken producers, strict censorship, and an unreliable crew, Wai Bhone’s first feature is
The Taking – London Film Festival 2021
A video essay style documentary that looks at the importance of the stunning Monument Valley on not only cinema and beyond. An interesting documentary that allows the visuals to do the talking.
Brother’s Keeper ★★★★- London Film Festival 2021
Brother’s Keeper has you in a state of ever-increasing frustration as you watch the obstacles young Yusef goes through as he tries to help his friend. A film that does its best to crush your spirit. Make no mistake; this is an assured and effective film from Ferit Karahan. In
Memory Box – London Film Festival 2021
Joana Hadjithomas and Khalil Joreige’s Memory Box is far more complex and layered than you would expect and hits all the right emotional notes as it asks its audience how they view their own memories and past. A wonderfully satisfying film.
Like A Dirty French Novel – ★★ 1/2
A disjointed film that is perhaps overly ambitious with its intent. Like A Dirty French Novel takes a unique and at times welcome approach of being set during the pandemic, but not at all about it. Sadly it throws away what works with some unfathomable narrative choices and a continual
The Retaliators ★★★ – Arrow Video Frightfest 2021
What should be a standard revenge thriller takes a hard turn into the schlock, and it is all the better for it. While not perfect, The Retaliators blunt approach, coupled with Michael Lombardi’s performance, makes it an entertaining horror An upstanding pastor John Bishop (Michael Lombardi), uncovers a dark and
The Last Thing Mary Saw – ★★★ 1/2
A bleak tale of a family keeping too close to Christian doctrine. While The Last Thing Mary Saw doesn’t bring any new ideas to the table, it has an effective atmosphere that grows darker by the minute.
Gaia – ★★★ 1/2
A slow burn narrative allows for eco-horror Gaia to come into its own by taking advantage of stunning visual storytelling. Jaco Bouwer’s film entrances you and does so much right and makes you pay attention to it.
Behemoth – ★★ 1/2
Somewhere deep within Behemoth, there lives a great thriller. It is just a shame it never realises it and tries to become something it shouldn’t. As a result, this film made for literal pennies overstretches itself. A true shame.
Andronicus, Bed, Azulscuro, Miss Mary Mack and Night of the Living Dicks (Shorts) – Fantasia Fest 2021
As we round out our coverage of Fantasia Fest, we thought we would spend some time talking about some more of the shorts that were on offer and believe us there are some great ones! Andronicus – Director Mark H. Rapaport – 24 mins Troubled but talented teenager Simon (Kimball
International Science-Fiction Short Film Showcase – Fantasia Fest 2021
Shorts that world build to perfection, these nine films from six countries actively have you wanting more. A fantastic look at the possibilities of science fiction.
Small Gauge Trauma Shorts – Fantasia Fest 2021
Ten fantastic films from seven countries, we are spoilt for choice in a collection that allows each film to bring something different to the audience. All of these filmmakers have a very bright future.
Yakuza Princess ★★★ 1/2 Fantasia Fest 2021
An exciting action thriller that ticks all the right boxes by bringing in heavy intrigue and mystery, Yakuza Princess eases us into this world before going gung-ho into the action. Quite the entertaining movie.
The 12 Day Tale of the Monster That Died in 8 ★★★ 1/2 Fantasia Fest 2021
A film that may seem slow & repetitive, but that is exactly the point; this is a film about the frustrations of staying at home during the pandemic & finding connections any way possible
Shorts: Bridging the Gap, Edinburgh International Film Festival
From a year in which everything felt at a standstill, get transported by these brand new shorts on the theme of Mobile from the brightest Scottish and Northern Irish talent.
Don’t Sell Me A Dog – ★★★ 1/2
A film that subverts your expectations. While a little rough around the edges at times, Pauric Brennan’s Don’t Sell Me A Dog has plenty going for it to keep you invested in the story. A solid film that surprises thanks to some great direction, a strong script and solid performances.
Scare Me – ★★★
An entertaining film that feels like a love letter to all the writers out there, struggling or best selling. Scare Me takes some bold decisions with its confined setting; taking advantage of a smart script & two great performances.
Mad God ★★★★ 1/2 – Edinburgh Film Fest 2021
Phil Tippett has created a nightmare, a wonderful, gloriously gruesome and relentlessly horrifying nightmare that leaves you with your jaw firmly on the ground. Simply put, you will have never seen anything like Mad God.
The Gig is Up ★★★★ – Edinburgh International Film Festival
Shannon Walsh takes a straight aim at the businesses benefiting from using lowly paid gig workers. The Gig is Up holds no punches as it paints a rather bleak picture of exploitation that many will have not realised existed.
Martyrs Lane ★★★★ 1/2- Fantasia Fest 2021
Racked in pent up grief, “Martyrs Lane” is a beautiful yet heartbreaking ghost story that at times takes your breath away, paced to perfection. Told through the eyes of the brilliant Kiera Thompson, this is a film that you cannot miss out on.
Haute tension sur les internets – Les Fantastiques week-ends du cinéma Québécois – Short films, Fantasia Fest 2021
A wonderful showcasing of some talented Quebecois filmmakers, ranging from horror to thrillers and animation. However you can, find these short films.
Born of Woman Shorts Fantasia Fest 2021
Eight shorts from eight excellent female filmmakers, there is something here for every genre fan and in the mix I am certain one that you will strongly connect with.
Pig ★★★★ – Edinburgh International Film Festival
A genuine surprise of a picture, Michael Sarnoski’s feature debut “Pig” is a slow but careful gaze at the devastation of loss. Nicolas Cage’s restrained performance startles with its effectiveness, as he portrays a deeply broken man just trying to get by.
Hellbender ★★★ 3/4 Fantasia Fest 2021
A confident coming of age horror that focuses more on the ever-changing dynamic between parent and child. The Adams family has made a very surprisingly effective film in Hellbender. One that does so much right and very little wrong – a fantastically refreshing film. Teenager Izzy (Zelda Adams) lives a
Glasshouse ★★★★ 1/2 – Fantasia Fest 2021
With Glasshouse, Kelsey Egan has conjured a beautifully haunting film. This dystopian fairytale weaves quite a tragic tale highlighted by the excellent performances and strong use of storytelling. Egan marks herself out as a filmmaker to watch out for. A dementia induced toxin known as the Shred has enveloped the
Mosquito State – ★★ 3/4 Shudder
Despite having interesting ideas, Mosquito State is never able to grab its audience’s attention fully. Its unsubtle story hinders this flawed body horror from being something as memorable as it really should be.
Jakob’s Wife – ★★★ Shudder
A horror that very much keeps with an entertaining 80s vibe #JakobsWife has its bloody cake and eats it. Successfully toeing the line of keeping true to its core story while having a blast. As entertaining as you can imagine.
Strawberry Mansion ★★★3/4 – Fantasia Fest 2021
Wearing its influences on its sleeves, Kentucker Audley and Albert Birney’s lo-fi fantasy film Strawberry Mansion is a gloriously offbeat but sweet film that unexpectedly touches you, full of whimsy originality.
Junk Head ★★★★ Fantasia Fest 2021
Takahide Hori’s painstaking stop motion film has take over a decade to get to this point and despite a wayward narrative, this is an awe-inspiring piece of work that should be celebrated as widely as possible. Unforgettable.
King Knight ★★★ 1/2 – Fantasia Fest 2021
Richard Bates Jr’s film King Knight is full of ridiculousness, from the characters to the situations, yet it never forgets the message of finding acceptance in ones past – a comedy that hits all of the right notes.
Woodlands Dark and Days Bewitched: A History of Folk Horror ★★★★ – Fantasia Fest 2021
A wondrous deep dive into all things folk horror, Kier-La Janisse’s film takes us on a marathon three hour plus journey, yet you are never bored in this absolute much watch.
April Story ★★★★ – Fantasia Fest 2021
A joyous & dreamy look at a young person taking that big step into independence & finding oneself, April Story is as relatable now as it was in 1998. Engaging as it is poignant, its simple story gracefully guides you along.
Wonderful Paradise ★★★ 1/2 – Fantasia Fest 2021
An absurdist comedy for the ages, Masashi Yamamoto’s Wonderful Paradise escalates almost to the point of being overstuffed. Yet it is wildly entertaining as it has a blast, and why not, we need films like this.
Dear Hacker ★★★ Fantasia Fest 2021
Alice Lenay’s documentary is an entertaining and compelling look at humanity’s relationship with technology, be it emotionally or spiritually. Sadly it hinders itself by not fully expanding on the topics raised to connect.
Agnes ★★★★ – Fantasia Fest 2021
Carrying on from the excellent Climate of the Hunter, filmmaker Mickey Reece brings us a film full of mood and isolation. Reece is ambitious here with Agnes, and he manages to pull it off with a great film that is a must-watch.
Alien On Stage ★★★★ – Fantasia Fest 2021
Everything you want it to be and more, Alien on Stage is a love letter to those who always dreamed of making the unlikely happen. A wonderful triumph that will have you grinning for its entire runtime.
Antebellum – ★★ 3/4
A flawed film with a twist that you will either love or hate. Monáe is the obvious standout in Antebellum that swings big, but ends up stumping itself.
On the Trail of UFOs: Dark Sky – ★★ 1/2
On the Trail of UFOs: Dark Sky is fine as a documentary that looks into the UFO phenomenon occurring in West Virginia, with personable subjects it should be a home run. Yet, towards the back end of the piece, it sadly loses itself.
Settlers – ★★★
This quiet & bleak chamber piece works very well during its engaging opening act, & tension racked finale. However, #Settlers middle act frustrates due to the lack of answers to the questions posed, regardless, this is an impressive debut.
Fantasia International Film Festival 2021 Preview
Fantasia International Film Festival is almost upon us and as we here at Upcoming On Screen are getting the opportunity to cover it this year, I felt it was a good idea to let you have an idea of what is on offer. Roaring into its 25th year, the Montreal
Out of Death – ★★
A muddling action film that doesn’t quite know what it is trying to be. There are glimpses of a good film living underneath Out of Death, but with such a terrible script, the only saving grace the film has is the strong turn by Jamie King,
The Offering – ★★★ 1/2
Distant direction choices almost overshadow the Offerings dense narrative and strong cast performances. This cynical but intriguing film takes its time at fully getting to its point but remains effective in its execution.
The Most Beautiful Boy In The World – ★★★★ 1/2
The Most Beautiful Boy In The World is at times an uncomfortable but remains a fascinating piece that shows how the scars of the earliest years of one life carry with you to adulthood. A finely crafted documentary that haunts you.
The B-Movie VHS Vault – Die Sister Die (1978)
Some films never make it to DVD, Blu-Ray or digital or if they did, their prints are long gone. This series wants to look back at those films, that almost slipped through our B-Movie grubby little fingers.
Cinema Rediscovered 2021 launching 28th July 1st August
In and around Bristol, UNESCO City of Film (28 Jul – 1 Aug) and launching festival highlights touring across the UK (Aug – Oct). Cinema Rediscovered, Bristol’s annual festival showcasing the best in digital restorations, contemporary classics and film print rarities starts this week. From 28 July to 1 August the festival also includes Reframing Film, a series of in-person and online discussions between leading
The Babadook – Second Sight LE Blu Ray ★★★★
Jennifer Kent’s The Babadook is a masterful horror film, that takes advantage of its human story to scare the life out of you. An unmissable film in an unmissable package and out from Monday 26th
Kandisha – ★★★ 1/2
An impressive horror from Alexandre Bustillo and Julien Maury utilises many well-used horror tropes and can bring something fresh to the table. Rife with tension and some gruesome scares, Kandisha demands your time.
Joy Womack: The White Swan – ★★★1/2
An interesting glimpse into the life of a person endeavoring to achieve an improbable dream. Joy Womack: The White Swan pulls you in with a fascinating & determined subject.
The Boy Behind The Door – ★★★★
Rife with nail-biting tension, Lonnie Chavis & Ezra Dewey are phenomenal in The Boy Behind The Door. With a simple story done exceptionally well, directors David Charbonier and Justin Powell have created a wonderful thriller.
Fear Street Trilogy Reviews – ★★ 1/2
The Fear Street trilogy misses the opportunity to be something special, instead, bogged down with too much worldbuilding, overbearing scores and mere moments of nostalgia. Disappointing with how forgettable it becomes.
Two of Us – ★★★★
Flippo Meneghetti’s feature debut Two of Us is a heartbreaking look at the battle to keep love together during the most trying of times. A drama that tenderly and carefully carries you along, and like Nina, makes sure never to let you go.
Piccolo Corpo ★★★★ 1/2
Laura Samani’s hauntingly beautiful Piccolo Corpo is a triumph. This is a voyage of uncompromising love and sacrifice, utterly unmissable with enduring and memorable performances from Celeste Cescutti and Ondina Quadri.
The Stylist Short Cuts
Jill Gebargizian’s The Stylist began as a short film and last month to honour that, the good folks at Arrow decided to run a contest of for female filmmakers working on both sides of the camera to make and send their films in.
Top films of 2021 so far
A little list of films that I feel are the best of 2021 thus far. Admittedly some are festival watches, but there are still some crackers in there.
Son – ★★★ 3/4 (Shudder)
Andi Matichak shines in Ivan Kavanagh’s effective and surprising chiller Son. Filled with confidence, this is a film that makes sure to get the little things right and, by its finale, has you gripped.
The Green Sea – ★★★ 3/4
Randal Plunkett’s The Green Sea takes us on a very human exploration into a troubled woman’s life portrayed brilliantly by Katharine Isabelle – an intimate film that stays with you.
A Perfect Enemy – ★★ 3/4
A psychological drama that never connects in the way that it thinks it does. A Perfect Enemy misses more than it hits, but when those hits flash before us, they do work well though the lead up to the finale is what costs the film. Successful architect Jeremiasz Angust is approached on
Basenji – ★★★★ Queen’s World Film Festival
Basenji is a film that challenges its audience, and with some fearless direction choices from Ian Scott Clement, we have an experimental film that you easily gravitate towards.
Love Happens – ★★ 3/4 – Queen’s World Film Festival
Love Happens, the debut from Liza Rafael is a solid little comedy about the romantic and career pressures put on someone. Yet, by needlessly pushing the narrative during a perplexing final act, we are left frustrated.
Mosley: It’s Complicated – ★★★ 1/2
At times Mosley: It’s Complicated is an engaging look at a man trying to form a legacy of safety when shrouded in a complex history. We have a film with such a significant story to tell that it can never provide us with enough time to do so Chronicling the life and
Shadows of the Valley ★★★ Queen’s World Film Festival
presents its audience with as bleak a picture as you can imagine for the children & families of Juárez. Yet hope and determined optimism shine in this thought provoking and emotional documentary
My Heart Can’t Beat Unless You Tell It To – ★★★
Rife with atmosphere & doom, this is a film that sticks to its deliberate pacing to show us the struggles of sacrificing everything for family. But it keeps its cards far too close to its chest narratively.
Lust Life Love ★★★★ Queen’s World Film Festival
Lust Life Love is an open & honest look at the sex-positive community. An immersive & intimate film that takes us on a journey less travelled, and thank goodness it does. Not a film to be missed.
Carver ★★★ – Queen’s World Film Festival
An engaging debut from Evgeny Yablokov, has a vigilante get too caught up in his nightly excursions and struggle to keep it all together. A film that satisfies and stays true to itself.
Dr Bird’s Advice For Sad Poets – ★★★ 1/2
Yaniv Raz’s adaption of Dr Bird’s Advice for Sad Poets shows how it was a book made for the big screen. This offbeat look at mental health in teenagers occasionally stumbles but is able to stay on its feet to be an entertaining film. Enter the whimsical world of James
All In My Power ★★★★ 1/2 – Queen’s World Film Festival
A magnificent yet harrowing time capsule of a documentary, All In My Power takes us on a journey through COVID in the opening nine weeks of the pandemic in New York.
Mouse – ★★★★ Queen’s World Film Festival
Adam Engel’s film grips you with a tale of the damage a guilty conscience can do to a person. A film that showcases a filmmaker who you need to keep an eye on.
Senior Moment – ★★ 3/4
A film that knows exactly what it is and never tries to overstretch itself. Senior Moment is an easy watch with a splattering of laughs yet full of harmless charm.
Don’t Look Back – ★★ 1/2
Imagine a plot along the lines of Final Destination without getting to see the deaths and played out by a cast who forgot to emote. Don’t Look Back is a woefully sloppy film that has few bright sparks to speak of.
Uncle Vanya – ★★★★★
The filmed performance of Ian Rickson’s production of Uncle Vanya astounds. A beautiful yet utterly heartbreaking piece with faultless performances. It will live long in the memory. An unmissable experience
Brabham – ★★★
As you go further into Akos Armont’s Brabham, the more confused the film appears to get what it wanted to be. While it can be a solid introduction to the life of multi-time Formula 1 champion Jack Brabham
Parallel ★★★1/2 + DVD Competition
Isaac Ezban’s Parallel has strong central themes that coupled with four strong performances makes Parallel an excellent high concept science fiction film.
Splinters ★★★1/2 Sheff Doc Fest
Natalia Garayalde’s intimate documentary is as much a love letter to family members as about
what befell her community of Río Tercero in 1995. Deftly crafted, we are left with an enthralling yet painstakingly honest film
Nuhu Yãg Mu Yõg Hãm: This Land Is Our Land! – ★★★ Sheff Doc Fest
While the doc stalls at times due to its slightly repetitive nature, it remains an important film highlighting an urgent issue for indigenous communities like this throughout the world.
Factory to the Workers ★★★ 1/2 – Sheff Doc Fest
A fascinating documentary of determination, Srđan Kovačević keeps a neutral gaze on his subjects as they battle through thick and thin to make an impossible task succeed. In Croatia in 2005, a machine tools factory was occupied by its workers. Since then, they have operated collectively, becoming the only successful
From the Wild Sea ★★★★- Sheff Doc Fest
Robin Petré’s From the Wild Sea is a glorious showcase of cinematic imagery and impeccable sound design. A documentary that presents the ever-increasing devastation that humans and climate change have on marine life.
Minamata Mandala – ★★★★★ Sheff Doc Fest
A sprawling and engrossing documentary that leaves no stone unturned in the victim’s crusade for justice. This documentary leaves you angry at the bureaucratic system yet in awe of those who kept going.
Lift Like A Girl – ★★★★ 1/2 Sheff Doc Fest
Mayye Zayed’s fantastic observational doc may focus on challenging gender stereotypes in sport. Yet it becomes so much more by being a film that wears its heart on its sleeve with two wonderful subjects.
Sheff Doc Fest: Sing, Freetown – ★★★★
Sing, Freetown is a captivating look at two men trying to reclaim the identity of their country and show generations, young and old, the importance of their culture. A very personal documentary that racks up the tension to the hopeful opening night. Raised in Sierra Leone and now a Londoner, Sorious
Sheff Doc Fest: Charm Circle – ★★★★
A thought-provoking and intimate look at the damages of insufficient mental health support. Nira Burstein’s feature documentary debut manages to find joy and hope deep within the chaos up a tumultuous upbringing.
Sheff Doc Fest: Delphine’s Prayers – ★★★★ 1/4
Rosine Mbakam’s intimate yet challenging Delphine’s Prayers is the most intense therapy session you can imagine. An emotional whirlwind of a documentary that has you riveted with its subject’s life.
Caveat – ★★★ 3/4
Damian McCarthy’s feature debut Caveat is a claustrophobic success that knows precisely what to do to creep you out. A smartly written and directed film that provides the audience with an exciting new voice.
Cruella – ★★★ 3/4
Cruella has it’s faults, but in the end it is a rather enjoyable film with two great performances wrapped around some dazzling production design. An entertaining film that shouldn’t be as good as it is considering it’s stretched runtime.
Externo – ★★★★
Jonathan and Leandro Taub’s take their audience on a grim journey of realisation of how wanting power and uncountable wealth can lead to devastating consequences, not for the person seeking it, but for everyone else on the planet. Externo is a stark wake-up call of a film that has to be seen.
Skull: The Mask – ★★ 1/2
Come & stay for the gore & the B-movie tropes as there isn’t much else going on with Skull: The Mask. A film that falls short of being great due to it forgetting that there needed to be a solid story to hold it all together.
The Philosophers – ★★★ 1/2
John Huddle’s drama has its thinking cap on, and while it falters occasionally. It succeeds in being a refreshing story that allows ideas and thoughts to shine. The Philosophers surprises with just how good it is.
Ten Minutes to Midnight – ★★★
Caroline Williams gives the best performance of her career in Ten Minutes to Midnight. This film has a wonderful underlying story that has you come in for the horror but stay for the on point and insightful commentary.
Homewrecker – ★★
A film with good intentions, Homewrecker just doesn’t click due to some amateur work behind the camera. A genuinely disappointing film despite the efforts of its two leads to make it something more.
Stalker – ★★★
Stalker is hampered by a laboured & predictable middle half but is saved with a cracker of a final act. A solid thriller that visually paints a great picture, but falls just when you want it to leap. However, it is still worth your time.
Sound of Violence – ★★★★
Alex Noyer’s film utilises its horror graphically well. Yet it shines most when it explores what is under the pools blood left behind with a story full of tragedy, desperation wrapped around PTSD and addiction – A must-see film.
Shock Wave – ★★★ 3/4
Shock Wave is a terrific spectacle of a film that harkens back to the classic 90’s action thrillers. With an awful lot to love about this entertaining film, it becomes a wonderful surprise of a movie.
The Swordsman – ★★★★
With brutal action, The Swordsman becomes a film that capably mixes itself as an entertaining martial arts action film inside a compelling historical drama. A confident and well-executed film that does everything right.
Undergods – ★★★ 1/2
Chino Moya’s hauntingly bleak debut feature Undergods is an ambitious trio of tales expertly interwoven film. A vision that makes him a filmmaker to look out for. A very impressive movie. A collection of darkly humorous, fantasy tales about ill-fated characters and doomed fortune: in a dystopian, post-apocalyptic Europe, K
Betrayed – ★★★ 1/2
Eirik Svensson’s has created a compelling and moving humanist tale here with Betrayed. A film that is a haunting reminder of the pain of your own community and friends deserting you and at times condemning you to a horrible fate. Based on True Events. The Nazi agenda knew no borders. As the
Goodbye Honey – ★★★
Max Strands feature debut is a thriller that does an awful lot right with its minimal style and two great performances. However, it stretches itself too thin just when you are fully compelled. However this is still one to catch.
The Blitz: 80th Anniversary – ★★★
A fascinating but all too short look into one of the darkest periods for Britain during WWII. A great introduction documentary.
Peaks and Valleys – ★★★★
Michael Burn’s Peaks and Valleys is a wonderful character study of two people who find each other at the right time. With memorable performances in a gorgeous setting, this is a drama that captivates you from beginning to end.
Threshold – ★★★
Powell Robinson & Robert-Patrick Young’s Threshold works best when it focuses on its two siblings simply trying to reconnect. Despite the painfully rushed ending, it shows moments of beauty and allows the viewer to enjoy the overall journey
We Still Say Grace – ★★★★
Brad Helmink and John Rauschelbach’s film is a tremendously effective thriller that does everything possibly right. A slow-burner that reels you in, this is a must-watch film that deserves to find as wide an audience as possible.
The Darkness – ★★
With an overbearing score and a script that simply cannot get to grips with what supernatural influence it wants to take from, The Darkness never gets going. Resulting in a flawed, disjointed film that fails its audience in almost every way possible.
Fried Barry – ★★★
There will be very little between Fried Barry; you will either love this film or hate it. A non-stop ride that takes no prisoners and does even less to explain itself. Jarring and intelligible, this is one for those who love chaos in their sci-fi.
Keep Rolling – ★★★★ 1/2
A wonderful documentary about the auteur Ann Hui. Keep Rolling is an exploration into her storied career that links in perfectly with her personal life. For those unfamiliar with Hui, this remains an open & appealing introduction to the filmmaker.
Truman and Tennessee: An Intimate Conversation – ★★★
An interesting & satisfying documentary that doesn’t quite delve into our subjects as much as you would want it to. Yet, you are invested to the piece thanks to some wonderful visual choices from Vreeland.
The Virtuoso – ★★ 1/2
The Virtuoso is held back by an uninspiring script that hampers itself from the start; a premise that could have had legs is wasted to become a standard assassin thriller. Given only a time, a location, and a cryptic clue, the methodical hitman (Anson Mount) must identify his mysterious foe
Clapboard Jungle ★★★★ 1/2, Arrow Player
Justin McConnell’s engrossing documentary is a treasure trove of valuable information that anyone wanting to break into the film industry must watch.
Beast Beast – ★★★★
Danny Madden’s fantastic feature debut Beast Beast is bold with its perfectly built tension and a final act that hits you like a train, becoming an unmissable and urgent film for young adults in a modern world.
Raw- Second Sight Blu-Ray – ★★★★
Second Sight has made a package that shows the true joy of physical media with their new release of Julia Ducournau’s 2016 film Raw. A special edition release that is worthy of the film that it accompanies.
Oscar 2021 Breakdown
It’s over, it is finally over, thank goodness! Awards season is over for another few days, There were a few surprises for me this year in the winners, but generally everything went as it should. Let’s have a gander to see who won what.
Oscar 2021 predictions
With the Academy Awards hours away, it seemed best to get my predictions out! Anything that you agree or disagree with?
Here Are The Young Men – ★★★
Eoin C. Macken’s solid picture Here Are The Young Men shines a light on toxic masculinity without ever giving itself the chance to go fully in-depth as its characters deserve.
Lucky Grandma – ★★★ 1/2
With two fabulous performances from Tsai Chin and Hsiao-Yuan Ha, Lucky Grandma weaves a delightful tale that delivers the laughs and knows when to pull at your emotions to bring us a charming film that showcases the value of family.
Tokyo Ghoul S – ★★★
An enjoyable romp that knows not to take itself overly seriously, though it wouldn’t hurt itself to do so to make it a stronger film. A very watchable live-action sequel that keeps true to its anime roots.
Sheep Without A Shepherd – ★★★ 1/2
An intricately written film, Sam Quah’s Sheep Without A Shepherd is a rewarding movie that expertly ramps up the emotional tension in a memorable cat and mouse thriller.
Black Bear – ★★★★
Writer-Director Lawrence Michael Levine’s Black Bear mesmerises with its three devastatingly good leads. This film is full of ambiguity that keeps you engrossed and unable to look away as these characters destroy themselves.
The Oak Room – ★★★
As The Oak Room begins, you never expect it to be as thoroughly engaging as it eventually becomes. Cody Calahan’s film is assumedly effective in a lo-fi movie that strikes you with its simple premise and striking visuals.
The Banishing – ★★★
The Banishing – ★★★
A solid ghost story, with some great performances, Christopher Smith’s The Banishing gets so close to being a tremendous, however it fizzles out all too soon before the end credits.
What’s Eating Gilbert Grape – ★★★★
With a powerful and relatable storyline, What’s Eating Gilbert Grape is a look at small-town America that gives it all the respect it deserves, allowing the film to keep its heart. Gilbert Grape (Johnny Depp) feels trapped – with no father present and an eccentric family to care for, he
Siberia – ★★ 1/2
Siberia is a film that will disappoint those wanting an intriguing thriller, but if you stick around for a doomed romance plot, then there is something worthwhile here. Sadly there isn’t much else to grasp onto.
Portal (AKA Doors) – ★★★
Portal has high aspirations, and for that, it should be commended and ably brings the audience in with it. Sadly it never keeps up its end of the bargain, and those expectations that the audience had are never met.
Hellraiser: Evolutions – ★★★
A short, yet interesting look at the long running series that is perfect as a starter introduction to the 30 year plus franchise.
Available on Arrow Player now as part of their stories section.
Willy’s Wonderland – ★ 1/2
Willy’s Wonderland is a stupid film, not a fun horror. It is a pointless film trying to piggyback on a tired videogame. Utterly terrible and devoid of anything worthwhile. Toss into the forget immediately pile. I wish I could.
Red Rage – ★★
Red Rage throws everything at the wall, and in some cases, parts stick, but far too often, it slides down said wall as slowly as possible, and never bothers trying to clean up its own mess.
Mercenary For Justice – ★★
If you want to know the quality deep within Steven Seagals Mercenary For Justice, there is a line in the film that goes, “Yeah, that’s it for you poophole”, and in a weird sort of way, that sums up the film perfectly.
Torpedo: U-235 – ★★★ 1/2
Sven Huynrecht’s Torpedo U-235 is a contemporary submarine film that ticks all of the boxes you need. This is a film that will surprise you with just how good it is. This is a highly rewatchable flick.
Final Days – ★★★ 1/2
Johnny Martin’s Final Days take its time with its story but wisely uses that time to build up a great sense of desolation for the survivors as the action becomes more and more intense. While not reinventing the wheel, this is a surprisingly solid film.
The Black Windmill – ★★★ 1/2
Don Seigel and Michael Caines underseen film The Black Windmill was Taken before Taken could be a thing. This new release from 101 Films brings us a solid film that brings together great actors in an entertainingly gritty crime thriller.
Shortcut – ★ 1/2
We have a film that totally misreads what audience it should be targeting and by trying to go more mature, Shortcut never convinces its audience enough. This is a film that needs to be aimed at younger audiences to be more effective.
He Dreams Of Giants – ★★★★
An intimate, compelling documentary about Terry Gilliam’s battle to make his white whale. This fascinating glimpse is as sincere as a documentary about filmmaking can get.
BFI Flare Shorts – Into the Unknown
As we reach the end of BFI Flare, we highlight the absolutely fantastic shorts that the festival had on offer. Blurred lines of love & friendship between women are explored in these poignant and beautiful films.
BFI Flare Shorts – For The Record
As we reach the end of BFI Flare, we look at the shorts section. Second up is For the Record, traversing a wide range of subjects, this inspiring selection of short-form documentaries is guaranteed to provoke & inspire.
The Night – ★★★★
Kourosh Ahari’s The Night is a throwback of a horror that allows for its ample tension to build, coupled with a great script and two fantastic performances, this is a film that never lets you settle.
Charlie Says (2019) – ★★ 1/2
Charlie Says lacks the substance to keep itself moving and when the script has so little depth to it, the whole movie struggles and becomes a laboured piece. A disappointment that missed its chance to say something of note.
Escape Plan 3 (2019) ★★ 1/2
Sylvester Stallone returns for Escape Plan 3, which is far better than the sequel but still languishes from the original. This serviceable action jaunt isn’t the best film, but it never tries to pretend to be.
An Impossible Project – ★★★★
A heartwarming love letter to a more physical world, An Impossible Project is a wonderful documentary by Jens Meurer. A film that both digital and analogue lovers can enjoy and one that they will find hard not to smile throughout. For some, digital is all they know and has totally
The Eight Hundred – ★★★★
Hu Guan’s The Eight Hundred is a tour de force of a war film that showcases heroism at its finest. This brutal film, likes the soldiers in the Shang warehouse, gives no quarters. An awe-inspiring film.
Demon ★ 1/2
Demon is a film that, if given a 30-minute runtime, would be an exceptional look at racial bias and male mental health. Sadly it goes on for too long with too many terrible performances worsened by a plot that doesn’t do enough—a true shame.
Reunion – ★★★ 1/2
Jake Mahaffy’s Reunion utilises its slow-burn storytelling to compel its audience. This complex tale occasionally trips itself up, but with a killer finale, it makes it a film that is worth the build.
Tove ★★★ 1/2 – BFI Flare
Tove is an engaging glimpse into the bisexual life of Tove Jansson, known for the wonderful Moomins. Zaida Bergroth’s biopic is a personal take on Jansson and one that enchants you early on, thanks to Alma Pöysti’s careful performance.