We continue on with the short films from the Odyssey Chinese Film Festival running from now until June 10th via https://www.odysseychinesecinema.uk/. Here are three of the An Exploration strand, expect many more from this strand over the coming days as we have been treated by the festival with some tremendous
Sarira 舍利 Director: Mingyang Li – 28 minutes When an excavator attempts to destroy a temple, a monk’s ancient faith is finally confronted by modern society: it is from then that he must begin his interrogation of the world. Sarira is the type of drama that takes you by surprise
‘Odyssey: a Chinese cinema season’ is launching in the UK this May. Collaborating with Picturehouse Cinemas , The Prince Charles Cinemas (in – person) and Shift 72 (online), the festival will create a hybrid experience to reach as many attendees as possible across the UK and worldwide. Named after one
You will be hard-pressed to find a film that portrays isolation effectively and unsettlingly as We’re All Going To The World’s Fair does. Jane Schoenbrun’s psychological horror hits harder than you ever expect it to, thanks to a terrific turn from Anna Cobb. A fantastic debut feature. Alone in her
Matt Reeves ticks all the right boxes with this latest iteration of the caped crusader in The Batman. For fans of Frank Millers work, this is the Batman they have been clambering for. Shrugging off a tired third act, Reeves ends up giving us an excellent film. With all new
Adam Kalderon subverts expectations with his film The Swimmer. Full of subtlety and care an outstanding performance from Omer Perelman Striks, you are left with a tension inducing drama that compels.
Streamline has all of the ingredients of being a compelling drama, with Levi Miller excelling as the conflicted protagonist. However, it becomes a film that needed more runtime to allow a packed narrative moments to breathe and find itself. Regardless though, this is a solid debut for writer-director Tyson Wade
A delicate and emotional look at grief, Jimmy In Saigon is a film full of love that shines a light on the scars of death and keeping your sexuality secret. Peter McDowell has made a wonderfully touching piece.
An extraordinary debut feature from writer-editor-director Lauren Hadaway, The Novice is as compelling and physically tense inducing film as you will see this year – a stunning film. Alex (Isabelle Fuhrman), a college freshman, joins her university’s rowing team and undertakes an obsessive physical and psychological journey to make it
There are so many twists and turns in Jeffrey Schwarz’s documentary Boulevard! A Hollywood Story that you would easily be forgiven for thinking simply could not have happened. A must-watch for anyone who is a fan of old Hollywood. When Gloria Swanson, the iconic star of Sunset Boulevard, saw an
Aly Muritiba’s character drama Private Desert challenges masculine expectations in the most delicate of ways. We have a film that takes its time but rewards us with how moving it ends up being. 40-year-old Daniel (Antonio Saboia) has been suspended from active police work and is under internal investigation for
There is a brutal, beautiful honesty to Just In Case that takes your breath away. Approaching mental health in a far more authentic way in 14 minutes that many features ever could. An important and unmissable film.
A sharp and refreshing film, Treacle shows us how misunderstood bisexuals can be, to even those who are closest to them. Rosie Westhoff’s short gives us plenty to ponder in this layered film.
If you love a mystery thriller, then Broadcast Signal Intrusion is the film for you, but beware, dear viewer, much like our protagonist, you could be left burrowing down that rabbit hole too. A great homage to the noir thriller. In the late 90s, grieving video archivist James (Harry Shum
For 23 minutes, Miriam Fussenegger & Isabella Jeschke’s performances leave you in a tough moral dilemma in His Eyes (Blaue Augen). Director Alexander Weber has delivered an absorbing, impactful must watch film. Cleo’s (Miriam Fussenegger) quest for perfection threatens to derail plans to start a family with her girlfriend Anna
When Isabel del Rosal’s feature debut Walk With Me works, it really works. Sadly though, when the film needs to be more direct, it, like its protagonist, hesitates. Nevertheless, there is a solid to great film here, if only it had been bolder. As she braves life after divorce, young
There is a seamlessness to Do This For Me that betrays you. You fall for these characters, slot in comfortably beside them, laugh with them, that when the screw and pain begin to turn, it devastates you.
Every once in a while, a film will come along and just leave you speechless; Ultraviolette and the Blood-Spitters Gang is that film. Showcasing both the beauty and pain of your first love, this is a remarkable piece of cinema. After the death of his grandmother Emma, Robin Hunzinger and
A film of two halves, Tacheles – The Heart of the Matter takes a little while to get going, but when it does, it becomes a strong documentary that asks how the Holocaust affects young people today and how should they let it affect them. Yaar is a young Jewish
Elizabeth D. Costa’s Bangla Surf Girls shows us the struggle with being pressured into conforming to tradition despite your aspirations and the resilience in young women to push against the social tide. At times brutal with its honesty, this beautifully compelling documentary is fantastic. Shobe, Aisha and Suma break away
A film that keeps itself laser focused in showing us the state of despair & pain that the Burmese people have been put through. Full of anger and resilience, the young filmmakers have made a heartbreakingly powerful film.
An absolute triumph from beginning to end, David A. Weiner continues his love letters to 80s cinema with In Search of Tomorrow. A tremendous glance back to a genre and a decade that we will never forget. Just a fantastic documentary.
Julia Bacha’s impressive documentary Boycott takes you down a rabbit hole that is truly disconcerting as it reveals how those in the US have unknowingly lost some of their civil liberties. A consuming and essential watch. Within the United States, thirty-three states have introduced anti-boycott laws, which require individuals and
With engaging subjects, Kacper Lisowski can focus his rightfully angry documentary Judges Under Pressure on the fight for Poland’s independent judicial system. A vital documentary. Democracy in Poland is hanging by a fragile thread. Facing arrest and fines if they issue rulings that are not to the government’s liking, judges
Raw and continually on edge, Alina Grigore’s Blue Moon is a chaotic family portrait that purposely overwhelms poor Irina and its audience. Throwing everything at our senses, her restless camera never gives you a moment to breathe—a strong debut. 22-year-old Irina (Iona Chitu) lives in the mountains, where her family
Erin Vassilopoulos’ film Superior has everything you would want, filmed in 16mm, filled with quirky moments and wonderfully styled. Yet, something is missing in the story that leaves you wanting something more from it. On the run from an abusive relationship, musician Marian (Alessandra Mesa) drops in unannounced on her
Aga Woszczyńska brings us a fantastic tale in Silent Land through themes of guilt and denial. This is a confident and compelling debut, filled with perfect stillness and two knockout performances from Agnieszka Żulewska and Dobromir Dymecki. The cracks of a ‘perfect’ couple begin to show as their holiday in
Abel Ferrara does as Abel Ferrara does in Zeros and Ones. A film that actively tries to confuse and isolate you from what is happening on the screen. However, somehow something is mystifying that keeps you watching. Called to Rome to stop an imminent terrorist bombing, soldier J.J. (Hawke) desperately
While The Vault is an enjoyable enough heist film, it never quite steps itself out from being a paint by numbers endeavour. Its predictability hurts it, but there is still plenty here to have fun with. When an engineer (Freddie Highmore) learns of a mysterious, impenetrable fortress hidden under The
Adan Bonet opens the eyes of the viewer to the gruelling endeavours of being a mother and an Olympic calibre athlete in Ona Carbonell: Starting Over. A wonderful look at what willpower is in humans. This intimate new documentary follows the Spanish synchronised swimming Olympic medallist, from the birth of
Filled with melancholy and beauty, Moon Manor truly surprises. This wonderful yet heartbreaking film celebrates life; this is a brilliant little gem of a film. On his last day alive, Jimmy (James Carrozo) will show his estranged brother, salt-of-the-earth caretaker, sharp-witted death doula, a novice obituary writer, a cosmic being,
Contemplative throughout, Mehdi Hoseinvand Aalipours’s film Asteroid is a warm-hearted look at the efforts a young boy will make to endeavour his family to live the life they deserve. Make no mistake; this is a wonderful gem of a film.
Colm Bairéad’s utterly fantastic The Quiet Girl is a beautiful piece of cinema that, before you know it, has grabbed your heart and run off with it. An exceptional film tinged with sadness while keeping hope and love alive.
Filled with charm, Adventures of Success at times works wonderfully, but even with fleshed out and interesting characters, led by Lexie Mountain, there are some issues as the film stutters in the middle. Regardless there is a lot to enjoy with Jay Buim’s movie. Led by a mystical female founder
A powerhouse performance from Yllka Gashi in Blerta Basholli’s enthralling film Hive, giving us an insight into how grieving women dealt with a patriarchal society that limits them at every turn – a marvellous drama In March 1999, the Kosovan village of Krusha e Madhe was the site of a
Maria Demeshina Peek’s documentary, Sextortion: The Hidden Pandemic offers a disturbing glance at what goes on online when parents cannot see. A difficult, yet important watch for everyone. “Sextortion: The Hidden Pandemic” tackles extremely disturbing yet timely subject matter and is an investigation into the world of online grooming and
Ashgrove is a film that reels you in effortlessly and by the end has you entirely emotionally invested in Amanda Brugel and Jonas Chernick’s troubled couple. Jeremy Lalonde has delivered a subtle yet powerful move – a marvellous film. A pandemic has affected the world’s water supply; Jennifer (Amanda Brugel)
Olmo Omerzu latest film Bird Atlas, is filled with bitter sweetness that showcases that greed and self-reliance are not the be-all and end-all of life. With a cast on top form, Bird Atlas Hits all the right notes. Ivo Rona (Donutil) may have serious health issues, but he believes that
Atmospheric sci-fi, The Long Walk, takes its time with the audience as it languidly broaches upon grief and memory while asking an insurmountable amount of questions. Mattie Do’s film works on you in ways that you truly do not expect. A man (Yannawoutthi Chanthalungsy) is rumoured to be able to
In True Things, we see a semblance of someone we have known once in our lives. Someone swept away in a romance they should be more careful about. With Harry Wootlif’s intoxicating film, we feel and understand without having to delve too deeply into her characters. A wonderfully nuanced film. Kate
Flitting between 3D animation and present-day footage, Jason Loftus takes us on a harrowing journey in his excellent documentary Eternal Spring. The emotional retracing of Daxiong and his fellow Falun Gong members fighting against their government is an essential and integral watch. An unmissable documentary. In March 2002, a state
Wonderfully directed, Khadar Ayderus Ahmed’s The Gravedigger’s Wife tackles societal issues in Djibouti City, giving a voice to those who need it. A touching and thoughtful film that fills you with hope despite the hardship around those involved. Guled (Omar Abdi) works hard to support his wife and son. The
Ruth Paxton’s A Banquet takes us down a tragic voyage through the repercussions of loss with a family firmly teetering on edge. However, with that said, there are times it feels as if this psychological horror has taken on a touch more than it can handle, with you either leaving
Slapstick aplenty is served to us by Yernar Nurgaliyev’s horror-comedy, Sweetie, You Won’t Believe It. With an added generous helping of gore to keep us going, we are left with a film that struggles to break the one-dimensional stereotypes. After accidentally witnessing a murder by a group of thugs, the
Netflix’s Texas Chainsaw Massacre keeps with the brutality of the first film, but is weighed down by its story, lack of tension and repetitive nature to fully enjoy it. Come for the kills only. Such a shame.
Anna Konik’s tremendous doc Silence Heard Loud forces us into the mindset of seven refugee’s as they recount their tragic pasts. Riveting throughout this is as humanising a film as you will come across this year.
Max von Sydow and Astrid Roos do what they can with Echoes of the Past, a film that should have kept its story as simple as possible, but due to some misguidedness, veers off, leaving us with a difficult film to grapple with. When the Greek government launches a multi-billion
Blake Ridder’s feature debut Help, tackles some uncomfortable issues and, for the most part, is a solid psychological thriller that hits the right notes. However, with some glaring issues, it does struggle in the final act but remains a solid film. A painful break-up prompts Grace (Emily Redpath) to visit
American Night falls foul of trying to be far too ambitious. Structuring the story in a non-linear manner isn’t hampers all momentum, and despite all the style and stellar cast, nothing can save it from the writing. Instead, American Night is about Michael Rubino (Emile Hirsch), the new head of
Well the Academy Award Nominations have been and gone, did you try and predict any? How did you do? We are going to have a breakdown of what has been nominated with the added bonus of seeing how well I did in having a guess! My Best Picture Predictions Belfast, Don’t
Radu Jude has made a messy, at times incomprehensible film in Bad Luck Banging or Loony Porn, yet it is also a film that you cannot stop watching as it is endlessly entertaining and does, in fact, leave you thinking.
At times, Nicholas Ashe Bateman’s debut #TheWantingMare feels like someone recalling a dream, present, without ever being fully fleshed out. Yet he has done some phenomenal world-building here and seriously impresses.
Barbora Chalupová and Vít Klusák’s documentary Caught in the Net is the stuff of literal nightmares about grooming on the internet. This is a thoroughly depressing yet vital film that is compelling as it is difficult to watch.
Writer-Director Jeremiah Kipp uses horror to accentuate the emotionally devastating life of a young teen in film Slapface. The constant stream of torment that engulfs the excellent August Maturo breaks you a unexpectedly powerful film.
For the most part, Belle ticks all the right boxes and boxes that you would expect from a filmmaker like Mamoru Hosoda. With gorgeous animation and emotional story this marks Belle as a quality film.
With striking visuals and a lead performance from the always reliable Scout Taylor-Compton, Rich Ragsdale’s The Long Night surprises with just how effective it is. While it does occasionally stumble, it remains an enjoyable folk horror
Julia Sergina’s always engaging debut feature documentary looks at Russian taxi driver turned political vlogger Viktor Toroptsev as he struggles with his fight against a state resolute in silencing him. Far Eastern Golgotha is a compelling look at activism.
A biting look at how capitalism takes advantage of any tragedy and how sometimes there are shattering consequences to such vulture attitudes. Emmanuel Tenenbaums Free Fall goes as you would expect, but the emotional punch still works.
Nafisa (Mihad Murtada) is a teenage girl in a Sudanese village who, despite her crush on someone else – is facing an arranged marriage thanks to her parents to Nadir (Mohammed Magdi Hassan). Her grandmother, the powerful matriarch Al-Sit (Rabeha Mohammed Mahmoud), has her own plans for Nafisa’s future. Writer-Director
Filmmaker Colin Hickey is two for two with his sophomore effort Where the Merrows Roam, a dialogue-free film that leaves you full of contemplation about your own childhood and where you are now as an adult. Captivating throughout, this is a film that you take from it what you bring
Sarah Adina Smith’s debut feature excels with the casting of it’s three leads and the uneasy atmosphere throughout. By staying true to its ambiguous nature it could frustrate, but there is more than enough to the story to enjoy.
A technical marvel this is an example of what can be done with lo fi filmmaking. The skills of everyone involved in making this film work needs to be applauded; best of all, it is a brilliantly entertaining film.
Sean Durkin’s intricate family drama The Nest brings two powerhouse performances from his two leads. In addition, it showcases the pitfalls of yearning for power and money when you already have a perfect life.
Leylak is a devastatingly delicate short film rife with raw emotion and astounding performances from Nadir Saribacak and Isabella Haddock. You are left to remember that it is okay to feel the pain you feel this period and that perhaps you do not need to go through it alone. In
Ben Tricklebank’s short film, Champ firmly catches you off guard with how nuanced it is regarding the strained relationship between a father and his aspirational son. A magnificent short that requires your attention and leaves you with a lot to digest. It’s hard to be a boy when your dad
Uzo Oleh’s stylish short film Edicius is a gorgeous look at the trappings of money over all else. Aided by the marvellous Michael Socha, Oleh gives us a visual treat. Jason (Michael Socha), an ambitious lawyer in his 30s, should be on top of the world, but his love for
Wednesdays are usually pretty quite on the film front, but luckily Will Jewell’s ensemble thriller Concrete Plans is finally getting its UK TV premiere on Film4 tonight at 9pm, so that Wednesday night has just been filled up. You. Are Welcome. Concrete Plans has taken over five years to get
Mark Rosenblatt’s short Ganef takes on difficulties of inherited trauma in a thought-provoking and very effective way. It is a careful piece that packs a lot more than you would expect in its brief runtime.
A wonderful fairytale, moving, hopeful, touching and even heartbreaking, you could ramble on and on about just how fantastic Céline Sciamma’s Petite Maman is. As simple and honest 72 minutes you will never regret experiencing
Fran Kranz has made an uneasy yet riveting debut feature in Mass. All four actors blow you away with how raw their interactions are; aided by a superb script, this raw, devastating, and in truth, vital piece drains you emotionally. Two pairs of parents meet up in a church hall
Another fantastic year for horror, whether it be mammoth documentaries covering a decade, thoughtful character pieces or practical effects laden absurdities, 2021 had it all, here are some of what we thought were the best.
Ryûsuke Hamaguchi’s Drive My Car is an emotionally aching film that utilises its extended runtime to perfection. A shattering piece of poetic cinema that, if it isn’t on your much watch list, should be, without a shadow of a doubt, the best film of 2021. Theatre practitioner Yûsuke Kafuku (Hidetoshi
Tracey Deer’s semi-autobiographical piece Beans is an emotional message regarding the racial violence that indigenous communities have gone through. There is a lot to enjoy and appreciate within her first feature, but we are left with a film that has just too much going on. Twelve-year-old Beans or Tekehentahkwa (Kiawentiio)
Youth v Gov is a rallying cry to the younger generation and all generations to stand up and fight as we battle the climate crisis. Cristi Cooper shows us that if these teenagers can do it, why can’t you? An invigorating & engaging doc
Luàna Bajrami’s terrific debut feature at the age of just 20 is a tremendous look at young women trapped in their small Kosovo town. With naturalistic performances and observational direction, we have an empowering film in The Hill Where Lionesses Roar. In a small remote village in Kosovo, three young
Apart from Benedict Cumberbatch’s performance, The Power of the Dog never rises above serviceable. Unable to delve deeper into its own story and rather unforgivably keeping its audience at arm’s length throughout.
An ambitious film that struggles under its own weight. The French Dispatch becomes unwieldy and, as such, loses the energy that it had opened with. Yet it remains a wonderful love letter t o print journalism.
Titane is bold and visceral, but actually works best when it focuses itself on the main themes of the story. Instead Ducournau’s film gets too wrapped up in the lure of shocking it’s audience that it leaves behind the story.
An intimate and enthralling documentary that makes excellent use of some gorgeous animation to tell this deeply personal story. While centered on Amin’s fight to get to a safe country, it quickly becomes a film about far more than that. Flee is an incredibly moving film.
Natalie Morales’ Language Lessons is an assured film that is unafraid to play with your heart. Aided by the fantastic Mark Duplass we are left with a relatable and emotional film that is simply faultless.
The Wolf Suit is a cathartic film by Sam Firth. Not only is it that for her, but also audiences who have experienced something similar. A deeply personal and utterly fascinating documentary.
Uneasy yet endlessly hopeful, Bantu Mama refreshingly tells us a story through Afro-European and Afro-Caribbean eyes. From start to finish, we have an excellent film that pulls you in and astounds you.
Adrián Silvestre’s Sediment is an empathetic and, at times, a joyful film that allows a group of six transexual women to be themselves in a most welcoming environment. An important film that should have as wide an audience as possible.
Cannon Arm and the Arcade Quest is a documentary that showcases the importance of finding kindred spirits. While it takes detours along the way, it is still a wonderfully heartwarming film.
Mothers of the Revolution is a moving and riveting documentary that showcases the power of dedication and how no matter the cause, it is worth fighting for. Briar March’s film is an important documentary to watch.
A pointed satire that does the small things very well, yet when it reaches beyond itself it begins to plod. However, there is still an awful lot to enjoy here in Money Has Four Legs. Due to money-stricken producers, strict censorship, and an unreliable crew, Wai Bhone’s first feature is
A video essay style documentary that looks at the importance of the stunning Monument Valley on not only cinema and beyond. An interesting documentary that allows the visuals to do the talking.
Brother’s Keeper has you in a state of ever-increasing frustration as you watch the obstacles young Yusef goes through as he tries to help his friend. A film that does its best to crush your spirit. Make no mistake; this is an assured and effective film from Ferit Karahan. In
Joana Hadjithomas and Khalil Joreige’s Memory Box is far more complex and layered than you would expect and hits all the right emotional notes as it asks its audience how they view their own memories and past. A wonderfully satisfying film.
A disjointed film that is perhaps overly ambitious with its intent. Like A Dirty French Novel takes a unique and at times welcome approach of being set during the pandemic, but not at all about it. Sadly it throws away what works with some unfathomable narrative choices and a continual
What should be a standard revenge thriller takes a hard turn into the schlock, and it is all the better for it. While not perfect, The Retaliators blunt approach, coupled with Michael Lombardi’s performance, makes it an entertaining horror An upstanding pastor John Bishop (Michael Lombardi), uncovers a dark and
A bleak tale of a family keeping too close to Christian doctrine. While The Last Thing Mary Saw doesn’t bring any new ideas to the table, it has an effective atmosphere that grows darker by the minute.
A slow burn narrative allows for eco-horror Gaia to come into its own by taking advantage of stunning visual storytelling. Jaco Bouwer’s film entrances you and does so much right and makes you pay attention to it.
Somewhere deep within Behemoth, there lives a great thriller. It is just a shame it never realises it and tries to become something it shouldn’t. As a result, this film made for literal pennies overstretches itself. A true shame.
As we round out our coverage of Fantasia Fest, we thought we would spend some time talking about some more of the shorts that were on offer and believe us there are some great ones! Andronicus – Director Mark H. Rapaport – 24 mins Troubled but talented teenager Simon (Kimball
Ten fantastic films from seven countries, we are spoilt for choice in a collection that allows each film to bring something different to the audience. All of these filmmakers have a very bright future.
An exciting action thriller that ticks all the right boxes by bringing in heavy intrigue and mystery, Yakuza Princess eases us into this world before going gung-ho into the action. Quite the entertaining movie.
A film that may seem slow & repetitive, but that is exactly the point; this is a film about the frustrations of staying at home during the pandemic & finding connections any way possible
A film that subverts your expectations. While a little rough around the edges at times, Pauric Brennan’s Don’t Sell Me A Dog has plenty going for it to keep you invested in the story. A solid film that surprises thanks to some great direction, a strong script and solid performances.
An entertaining film that feels like a love letter to all the writers out there, struggling or best selling. Scare Me takes some bold decisions with its confined setting; taking advantage of a smart script & two great performances.
Phil Tippett has created a nightmare, a wonderful, gloriously gruesome and relentlessly horrifying nightmare that leaves you with your jaw firmly on the ground. Simply put, you will have never seen anything like Mad God.
Shannon Walsh takes a straight aim at the businesses benefiting from using lowly paid gig workers. The Gig is Up holds no punches as it paints a rather bleak picture of exploitation that many will have not realised existed.
Racked in pent up grief, “Martyrs Lane” is a beautiful yet heartbreaking ghost story that at times takes your breath away, paced to perfection. Told through the eyes of the brilliant Kiera Thompson, this is a film that you cannot miss out on.
A genuine surprise of a picture, Michael Sarnoski’s feature debut “Pig” is a slow but careful gaze at the devastation of loss. Nicolas Cage’s restrained performance startles with its effectiveness, as he portrays a deeply broken man just trying to get by.
A confident coming of age horror that focuses more on the ever-changing dynamic between parent and child. The Adams family has made a very surprisingly effective film in Hellbender. One that does so much right and very little wrong – a fantastically refreshing film. Teenager Izzy (Zelda Adams) lives a
With Glasshouse, Kelsey Egan has conjured a beautifully haunting film. This dystopian fairytale weaves quite a tragic tale highlighted by the excellent performances and strong use of storytelling. Egan marks herself out as a filmmaker to watch out for. A dementia induced toxin known as the Shred has enveloped the
Despite having interesting ideas, Mosquito State is never able to grab its audience’s attention fully. Its unsubtle story hinders this flawed body horror from being something as memorable as it really should be.
A horror that very much keeps with an entertaining 80s vibe #JakobsWife has its bloody cake and eats it. Successfully toeing the line of keeping true to its core story while having a blast. As entertaining as you can imagine.
Wearing its influences on its sleeves, Kentucker Audley and Albert Birney’s lo-fi fantasy film Strawberry Mansion is a gloriously offbeat but sweet film that unexpectedly touches you, full of whimsy originality.
Takahide Hori’s painstaking stop motion film has take over a decade to get to this point and despite a wayward narrative, this is an awe-inspiring piece of work that should be celebrated as widely as possible. Unforgettable.
Richard Bates Jr’s film King Knight is full of ridiculousness, from the characters to the situations, yet it never forgets the message of finding acceptance in ones past – a comedy that hits all of the right notes.
A joyous & dreamy look at a young person taking that big step into independence & finding oneself, April Story is as relatable now as it was in 1998. Engaging as it is poignant, its simple story gracefully guides you along.
An absurdist comedy for the ages, Masashi Yamamoto’s Wonderful Paradise escalates almost to the point of being overstuffed. Yet it is wildly entertaining as it has a blast, and why not, we need films like this.
Alice Lenay’s documentary is an entertaining and compelling look at humanity’s relationship with technology, be it emotionally or spiritually. Sadly it hinders itself by not fully expanding on the topics raised to connect.
Carrying on from the excellent Climate of the Hunter, filmmaker Mickey Reece brings us a film full of mood and isolation. Reece is ambitious here with Agnes, and he manages to pull it off with a great film that is a must-watch.
Everything you want it to be and more, Alien on Stage is a love letter to those who always dreamed of making the unlikely happen. A wonderful triumph that will have you grinning for its entire runtime.
On the Trail of UFOs: Dark Sky is fine as a documentary that looks into the UFO phenomenon occurring in West Virginia, with personable subjects it should be a home run. Yet, towards the back end of the piece, it sadly loses itself.
This quiet & bleak chamber piece works very well during its engaging opening act, & tension racked finale. However, #Settlers middle act frustrates due to the lack of answers to the questions posed, regardless, this is an impressive debut.
Fantasia International Film Festival is almost upon us and as we here at Upcoming On Screen are getting the opportunity to cover it this year, I felt it was a good idea to let you have an idea of what is on offer. Roaring into its 25th year, the Montreal
A muddling action film that doesn’t quite know what it is trying to be. There are glimpses of a good film living underneath Out of Death, but with such a terrible script, the only saving grace the film has is the strong turn by Jamie King,
Distant direction choices almost overshadow the Offerings dense narrative and strong cast performances. This cynical but intriguing film takes its time at fully getting to its point but remains effective in its execution.
The Most Beautiful Boy In The World is at times an uncomfortable but remains a fascinating piece that shows how the scars of the earliest years of one life carry with you to adulthood. A finely crafted documentary that haunts you.
Some films never make it to DVD, Blu-Ray or digital or if they did, their prints are long gone. This series wants to look back at those films, that almost slipped through our B-Movie grubby little fingers.
In and around Bristol, UNESCO City of Film (28 Jul – 1 Aug) and launching festival highlights touring across the UK (Aug – Oct). Cinema Rediscovered, Bristol’s annual festival showcasing the best in digital restorations, contemporary classics and film print rarities starts this week. From 28 July to 1 August the festival also includes Reframing Film, a series of in-person and online discussions between leading
Jennifer Kent’s The Babadook is a masterful horror film, that takes advantage of its human story to scare the life out of you. An unmissable film in an unmissable package and out from Monday 26th
An impressive horror from Alexandre Bustillo and Julien Maury utilises many well-used horror tropes and can bring something fresh to the table. Rife with tension and some gruesome scares, Kandisha demands your time.
Rife with nail-biting tension, Lonnie Chavis & Ezra Dewey are phenomenal in The Boy Behind The Door. With a simple story done exceptionally well, directors David Charbonier and Justin Powell have created a wonderful thriller.
The Fear Street trilogy misses the opportunity to be something special, instead, bogged down with too much worldbuilding, overbearing scores and mere moments of nostalgia. Disappointing with how forgettable it becomes.
Flippo Meneghetti’s feature debut Two of Us is a heartbreaking look at the battle to keep love together during the most trying of times. A drama that tenderly and carefully carries you along, and like Nina, makes sure never to let you go.
Laura Samani’s hauntingly beautiful Piccolo Corpo is a triumph. This is a voyage of uncompromising love and sacrifice, utterly unmissable with enduring and memorable performances from Celeste Cescutti and Ondina Quadri.
Jill Gebargizian’s The Stylist began as a short film and last month to honour that, the good folks at Arrow decided to run a contest of for female filmmakers working on both sides of the camera to make and send their films in.
Andi Matichak shines in Ivan Kavanagh’s effective and surprising chiller Son. Filled with confidence, this is a film that makes sure to get the little things right and, by its finale, has you gripped.
A psychological drama that never connects in the way that it thinks it does. A Perfect Enemy misses more than it hits, but when those hits flash before us, they do work well though the lead up to the finale is what costs the film. Successful architect Jeremiasz Angust is approached on
Love Happens, the debut from Liza Rafael is a solid little comedy about the romantic and career pressures put on someone. Yet, by needlessly pushing the narrative during a perplexing final act, we are left frustrated.