Phil Sheerin’s bleak Irish drama is held together thanks to its four leads and some superb direction. The Winter Lake slightly lacks in its plot development; however, those wanting a low key mystery drama are in for a treat.
It may not seem it at first, but Natasha Kermani’s Lucky is an angry film that challenges its audience while still wearing its heart firmly on its bloody sleeve. A sharp film that makes it’s presence felt.
Laurence Gough’s second feature is a film that you cannot predict, and from the tense and harrowing opening, the audience will not be able to peel their eyes away from the screen. A true gem of a picture.
Jennifer Kent’s The Nightingale is an extraordinary bold film that is never afraid to go where others dare not. Coupled with performances that will live long in the memory, this is a film that needs to be seen.
A heartbreaking tale of losing one’s innocence during Soviet occupation, by a regime that cares as little for you or its soldiers. It struggles to remain compelling despite some particularly strong performances.
A film that has its moments, but is seriously held back by some of the disinterested cast and CGI effects that time forgot. Anti-Life could be so much better than it ends up being. A real shame.
Broil brings with it an interesting premise and a sprinkling of great moments. Yet struggles with this potential. In the end actually needing more runtime to flesh itself out. However, this is still a film where much reward can be found.
Lara Jean Gallagher’s feature debut takes us on a slow journey filled with mystery and questions as it has the viewer sink into its interesting mood. Sadly it leads itself astray, but not enough to lose the audience.
Greta Bellemacina’s Hurt By Paradise is a whimsically charming piece that floats through its running time by rarely giving its audience something to grab onto to fully embrace both of the leads.