An ambitious film that does stretch itself a tad too thin at times, Bite is still a great watch that warmly embraces its horror to provide quite a few inducing moments. James Owen’s debut feature is one that satisfies. Nina (Shian Denovan) is desperate to put her life back on
The remaining two acts of End Zone 2 are presented to audiences after the terrific The Once and Future Smash, a brutally authentic 70s trash horror that will leave you wondering just how good that missing 3rd act really was. Fifteen years after the events of End Zone, Smash-Mouth is
The Once and Future Smash is an absolute treat for genre fans. With so many wonderful moments carefully laden within the spoof film that you could easily find yourself clapping away at it. Just a joy of a film. The End Zone 2 was a football-themed slasher from 1970 that
Opera (1987) Dario Argento comes back again to the list with this vicious film. What strikes you most about Opera is just how visually stunning it is, and considering how overlooked this is amongst Argento’s work, that becomes a surprise. Of course, Argento’s weaknesses come to the fore here, but
A film that isn’t afraid to kick some ass, Kickstart My Heart is everything you want it to be. Kelsey Bollig has made a film you never want to end – a fantastic short from a highly promising filmmaker.
When Perry Blackshear focuses his latest film on the trauma and bleakness of his character’s situation, When I Consume You excels as a psychological thriller. The sense of dread is rife throughout the film, it loses itself when it tries to do too much. Nevertheless, this film affects you with
Michael Kratochvil successfully unsettles his audience once his film I Call Upon Thee gets going. With strong performances from the young actresses, this is a short you won’t soon forget. “It’s not, dad. It’s worse.” Two young sisters in an unhappy home perform an incantation to summon… something… anything in
The Breach may tread down familiar paths but does so with great confidence. The focus on the story is what shines through here. Though it doesn’t hurt that when the film wants to get gruesome, it does so with glee.
A horror for millennials, Sissy takes the idea of social ostracism and childhood trauma and runs with it. Resulting in a compelling and unexpected bloodbath of a film, thoroughly tremendous. Writer-directors Hannah Barlow and Kane Senes along with lead Aisha Dee have knocked it out of the park. Cecelia (Aisha
Exploitative Cat III classic Dr Lamb leaves little to the imagination once our killer reveals all. A wild ride of a film that refuses to relent in its perversity and is one that you are not likely to forget anytime soon.
You will be hard-pressed to find a film that portrays isolation effectively and unsettlingly as We’re All Going To The World’s Fair does. Jane Schoenbrun’s psychological horror hits harder than you ever expect it to, thanks to a terrific turn from Anna Cobb. A fantastic debut feature. Alone in her
Starting in May, Horror Channel journeys into the history of genre cinema with THE VINTAGE VAULT, which will present double-bills of classic sci-fi and horror films every Sunday night. The season premieres on Sunday May 1st with THE INVISIBLE MAN, in which Claude Rains delivers a remarkable performance in his screen debut. This is
Ruth Paxton’s A Banquet takes us down a tragic voyage through the repercussions of loss with a family firmly teetering on edge. However, with that said, there are times it feels as if this psychological horror has taken on a touch more than it can handle, with you either leaving
Slapstick aplenty is served to us by Yernar Nurgaliyev’s horror-comedy, Sweetie, You Won’t Believe It. With an added generous helping of gore to keep us going, we are left with a film that struggles to break the one-dimensional stereotypes. After accidentally witnessing a murder by a group of thugs, the
Netflix’s Texas Chainsaw Massacre keeps with the brutality of the first film, but is weighed down by its story, lack of tension and repetitive nature to fully enjoy it. Come for the kills only. Such a shame.
Writer-Director Jeremiah Kipp uses horror to accentuate the emotionally devastating life of a young teen in film Slapface. The constant stream of torment that engulfs the excellent August Maturo breaks you a unexpectedly powerful film.
Another fantastic year for horror, whether it be mammoth documentaries covering a decade, thoughtful character pieces or practical effects laden absurdities, 2021 had it all, here are some of what we thought were the best.
Titane is bold and visceral, but actually works best when it focuses itself on the main themes of the story. Instead Ducournau’s film gets too wrapped up in the lure of shocking it’s audience that it leaves behind the story.
What should be a standard revenge thriller takes a hard turn into the schlock, and it is all the better for it. While not perfect, The Retaliators blunt approach, coupled with Michael Lombardi’s performance, makes it an entertaining horror An upstanding pastor John Bishop (Michael Lombardi), uncovers a dark and
A bleak tale of a family keeping too close to Christian doctrine. While The Last Thing Mary Saw doesn’t bring any new ideas to the table, it has an effective atmosphere that grows darker by the minute.
A slow burn narrative allows for eco-horror Gaia to come into its own by taking advantage of stunning visual storytelling. Jaco Bouwer’s film entrances you and does so much right and makes you pay attention to it.
An entertaining film that feels like a love letter to all the writers out there, struggling or best selling. Scare Me takes some bold decisions with its confined setting; taking advantage of a smart script & two great performances.
Phil Tippett has created a nightmare, a wonderful, gloriously gruesome and relentlessly horrifying nightmare that leaves you with your jaw firmly on the ground. Simply put, you will have never seen anything like Mad God.
A confident coming of age horror that focuses more on the ever-changing dynamic between parent and child. The Adams family has made a very surprisingly effective film in Hellbender. One that does so much right and very little wrong – a fantastically refreshing film. Teenager Izzy (Zelda Adams) lives a
Despite having interesting ideas, Mosquito State is never able to grab its audience’s attention fully. Its unsubtle story hinders this flawed body horror from being something as memorable as it really should be.
A horror that very much keeps with an entertaining 80s vibe #JakobsWife has its bloody cake and eats it. Successfully toeing the line of keeping true to its core story while having a blast. As entertaining as you can imagine.
Carrying on from the excellent Climate of the Hunter, filmmaker Mickey Reece brings us a film full of mood and isolation. Reece is ambitious here with Agnes, and he manages to pull it off with a great film that is a must-watch.
Everything you want it to be and more, Alien on Stage is a love letter to those who always dreamed of making the unlikely happen. A wonderful triumph that will have you grinning for its entire runtime.
Fantasia International Film Festival is almost upon us and as we here at Upcoming On Screen are getting the opportunity to cover it this year, I felt it was a good idea to let you have an idea of what is on offer. Roaring into its 25th year, the Montreal
Some films never make it to DVD, Blu-Ray or digital or if they did, their prints are long gone. This series wants to look back at those films, that almost slipped through our B-Movie grubby little fingers.
Jennifer Kent’s The Babadook is a masterful horror film, that takes advantage of its human story to scare the life out of you. An unmissable film in an unmissable package and out from Monday 26th
An impressive horror from Alexandre Bustillo and Julien Maury utilises many well-used horror tropes and can bring something fresh to the table. Rife with tension and some gruesome scares, Kandisha demands your time.
The Fear Street trilogy misses the opportunity to be something special, instead, bogged down with too much worldbuilding, overbearing scores and mere moments of nostalgia. Disappointing with how forgettable it becomes.
Laura Samani’s hauntingly beautiful Piccolo Corpo is a triumph. This is a voyage of uncompromising love and sacrifice, utterly unmissable with enduring and memorable performances from Celeste Cescutti and Ondina Quadri.
Jill Gebargizian’s The Stylist began as a short film and last month to honour that, the good folks at Arrow decided to run a contest of for female filmmakers working on both sides of the camera to make and send their films in.
Andi Matichak shines in Ivan Kavanagh’s effective and surprising chiller Son. Filled with confidence, this is a film that makes sure to get the little things right and, by its finale, has you gripped.
Caroline Williams gives the best performance of her career in Ten Minutes to Midnight. This film has a wonderful underlying story that has you come in for the horror but stay for the on point and insightful commentary.
#ArmyoftheDead flatters to deceive with a premise that should make it stand out. but is severely lacking in its script by being just too predictable. Neither disappointing nor great, this is a film that settles with being just okay.
A practical effects-laden joy. Psycho Goreman is everything a genre fan would love but can also go beyond a niche B-movie to be a schlocky film that will entertain everyone. Siblings Mimi and Luke unwittingly resurrect an ancient alien overlord who was interred on Earth millions of years ago after a failed
Powell Robinson & Robert-Patrick Young’s Threshold works best when it focuses on its two siblings simply trying to reconnect. Despite the painfully rushed ending, it shows moments of beauty and allows the viewer to enjoy the overall journey
The Banishing – ★★★
A solid ghost story, with some great performances, Christopher Smith’s The Banishing gets so close to being a tremendous, however it fizzles out all too soon before the end credits.
Gillian Wallace Horvat’s wonderfully uncomfortable yet sharp debut feature I Blame Society, is a film that gets under your skin and once it gets going takes zero prisoners. We have a film that is as fantastic as it is creative.
The high hopes of Neil Marshalls The Reckoning is quickly dissipated by a run of the mill story with woeful dialogue and one of the most overpowering scores in recent times. This is one that sadly needs to be avoided. Set against the Great Plague’s backdrop and subsequent witch-hunts against women, Grace
Welcome to your new favourite cult midnight movie. For the Sake of Vicious is a film that wears its bloody heart on its sleeve and, after a tense opening half, let’s loose in ways that will have you clapping away in glee.
Willy’s Wonderland is a stupid film, not a fun horror. It is a pointless film trying to piggyback on a tired videogame. Utterly terrible and devoid of anything worthwhile. Toss into the forget immediately pile. I wish I could.
We have a film that totally misreads what audience it should be targeting and by trying to go more mature, Shortcut never convinces its audience enough. This is a film that needs to be aimed at younger audiences to be more effective.
Kourosh Ahari’s The Night is a throwback of a horror that allows for its ample tension to build, coupled with a great script and two fantastic performances, this is a film that never lets you settle.
Sacrifice is a horror that forgets that it is trying to tell its audience a story and instead focuses on giving us beautiful shots and imagery. With an able cast who do their best, they are hindered by an underwritten script.
Lost in what direction and story it wants to tell, a film that could have so much promise as a drama or a horror. Instead, this mishmash doesn’t go far enough with either subplot to make itself felt.
Jill Gevargizian continues her upward trajectory as a filmmaker with her strong feature debut The Stylist. Led by the empathetic yet murderous Najarra Townsend, we are given a film that expands upon her 2016 short tremendously.
It may not seem it at first, but Natasha Kermani’s Lucky is an angry film that challenges its audience while still wearing its heart firmly on its bloody sleeve. A sharp film that makes it’s presence felt.
A decent homage to the well worn hill billy films. Butchers has the potential to be far more better than it ends up being floundering by being just too predictable with its story and plentiful clichés.
Lamberto Bava’s essential Italian horror films Demons and Demons 2 are getting the Ultra 4K treatment from Arrow. This marvelous boxset is a must buy chocked full of extras and commentaries. An splatter fest joy.
Exploitation cinema has been around for a very long time; how long? Well, Shogun’s Joy of Torture was made in 1968, and it has been given the complete Arrow Video treatment in this wonderfully depraved Blu Ray release.
We have a film striving to take a big step away from its predecessors, and it is all the better for doing so. Wrong Turn is an intense, well-written horror that puts its solid stamp on the genre.
Braden R. Duemmler’s What Lies Below is a stylish sci-fi horror driven by its three exceptional leads. With a great premise with a multitude of interesting elements, this is an atmospheric film not to let sneak under your radar.
Despite a strong performance from Danielle Harris, Skin Collector is held down by it’s laugh out loud bad script. With some great ideas, this should be far better than it eventually ended up being. Such a disappointment.
Jennifer Harrington’s feature is a stylish horror with a great premise. It’s problematic opening half is far outweighed by its excellent second. Shook offers a scathing look at the effects of social media on today’s influencer crazed society. A film that has so much potential, but just doesn’t quite hit
Broil brings with it an interesting premise and a sprinkling of great moments. Yet struggles with this potential. In the end actually needing more runtime to flesh itself out. However, this is still a film where much reward can be found.
Mark Sheridan’s Irish horror has elements that work tremendously, leads Elva Trill & Ed Murphy are particularly strong. Sadly Crone Wood just fades away by trying to do too much in the short runtime it has.
Indonesian horror The Queen of Black Magic will surprise you by just how good it is. A visually appealing film with some great scares to set a solid benchmark for the genre for the rest of 2021.
In January ARROW presents an exclusive selection of the outstanding entries from its HORROR LOCKDOWN SHORTS contest, short films delivering slick, sharp scares, delving into oft-uncharted and bizarre worlds,
[REC] is a claustrophobic horror gem that took everyone by surprise and 13 years later, it still cements itself as one of the best horror films of the 21st Century. An exhilarating 74-minute ride
Blind has the story and a lead that could have it be quite an interesting horror film. Yet it flounders in areas that it most certainly should not. A stylish looking film that offers nothing else.
Smart Dog Productions are delighted to announce that their latest Spanish horror thriller, Ropes, will be released on Digital Download from 19th November. Fresh from it’s screening at Manchester’s Grimmfest, where it won Best Feature Film and Best Actress, Ropes will be available on iTunes, Amazon and Google from 19th
We are in the end game now gang. We are in the penultimate film of our series and I can almost guess that if you asked people how many Hellraiser films there are, they would not get close to 10. Anyway, Here we go Hellraiser: Revelations! Two friends Steven Craven
We reach the tail end of our Hellraiser series with number 8 in the franchise Hellraiser: Hellworld. Released an unthinkable and almost impressive 92 DAYS after Hellraiser: Deader was released. Honestly, I can imagine people renting out Deader and then three months later going back to Blockbuster (we had an
As In Search of Darkness states, the 80s was a booming time in the horror genre. There is a very good reason why the last 20 years has been rife with remakes from that period. Due to political frustrations at the time and a myriad of other fears of things
We are in the back end of our Hellraiser series and it sure as hell isn’t getting better. This time out we effectively return to the plot of Hellraiser: Hell on Earth. Being creative isn’t for everyone it seems. Welcome to Hellraiser: Deader Remember how we are left with Kirsty
The Mortuary Collection is a wonderful horror anthology series from writer/director Ryan Spindell. This is an anthology that will entertain you thoroughly, with something for everyone inside. Sam (Caitlin Brown) answers the help wanted sign outside the mysterious funeral home of Montgomery Dark (Clancy Brown). During Sam’s interview. She queries
A criminally stupid film, Hellraiser: Hellseeker is the first truly unforgiveable addition to the franchise that should be forgotten from your mind as soon as you finish watching it. Spoiler, there will be a lot of the film given away here, but it might be better to know this stuff
Do you know what is a great horror film? The Blair Witch Project. I am a little tired of people saying that it isn’t a good film. To what standards is it not a good film? Is it due to it not have the stereotypical jump scares that people are
Four years after the utterly wasteful Hellraiser: Bloodline, Dimension Films decided to have another crack at the Hellraiser franchise with Hellraiser Inferno. Detective Joseph Thorne (Craig Sheffer) is investigating the gruesome deaths of the serial killer The Engineer. Who leaves behind what looks to be the finger of a child
This will always be a hard film to review because it was not the version that was originally intended. There is a script out there for what Clive Barker and Peter Atkins envisioned for Hellraiser: Bloodline that seemed quite interesting. Though studio executive has got to meddle and we get
Hellraiser III: Hell on Earth, spelt the end of the franchise as we knew it. Away from its compelling origin and into the standard slasher fare that studios knew how to market. Trying to continue from where we left off, Pinhead is still in his sexy torture pillar. Or known
Oh, what could have been, Hellbound: Hellraiser II had everything going for it, except a coherent story. The ultimate in missed opportunities to truly kick on an intriguing franchise. Following up straight after the events of the first Hellraiser, Hellbound finds Kirsty (Ashley Laurence) trying to explain to doctors what
We start our Hellraiser series with the first of the franchise, the rest of the reviews will be split into two or so films at a time. But the first (and best) Hellraiser deserves its own singular review. Clive Barker created an unrelentingly dark film in Hellraiser and one that
Natalie Erika James’s impressive debut feature Relic is an uncomfortable tension-filled horror drama that will play at your emotions more than you would want it to. An elderly woman named Enda (Robyn Nevin) has gone missing from her secluded home in the countryside. Her daughter Kay (Emily Mortimer) and granddaughter
Last time out we left you with the first part of our trilogy for horror films beginning with the letter M. We continue on with our middle installment that has some modern classics, a wonderful 30s film and some under appreciated flicks. Lets get into it shall we? The Midnight
Somehow Ginger Snaps is 20 years old and that has shocked me right down to my little horror fan core as I very much remember getting the DVD for this in 2003 and loving the ever loving hell out of it. We even have it in our horror movies to
We are back and have gotten all the way to the letter M! Not only does M have some classics, we are also having the joy of having multiple parts in here. How many parts? Well we are going for the trilogy, so do not be sad if a favourite
Horror films. The letter L. The ride continues! Let’s check out what we have today! This little series has gotten quite far and has been a joy to look back into, with a lot of films coming up that has made me quite nostalgic to the genre. This is a
The first trailer for upcoming horror flick Come Play was released last night, so we thought we would break it down a little and give you our First Thoughts. “Azhy Robertson (Marriage Story) stars as Oliver, a lonely young boy who feels different from everyone else. Desperate for a friend,
Welcome back to another edition of Horror films to watch. This time we truck along to the letter K and we have a right little mix of horror films ready for you. Shall we? Kwaidan (1964) One of the best, if not the best anthology horror films ever made. Rarely
Shudders new release ‘The Beach House’ is a slow-burning atmospheric film that really tries very hard not to pigeonhole itself into any one box in the horror genre. This works for is and against in equal measures and leaves the audience in quite the conundrum over what they have just
Another week, another letter filled with horror films. This time out we move onto J and we are getting close to halfway through our list! This week we have an awful lot of under-appreciated or just plain forgotten horrors from years gone by, so let’s just get right into it!
We return for our sequel to Horror movies to watch beginning with I. Is this a better sequel? Who knows, It depends on your horror flavour! We have some classics in store for you though, so let’s get into our second part! Invasion of the Body Snatchers (1956) What type
Last time out we had a trilogy of posts with the letter H, this time we venture into horror films beginning with I, and again it is a bumper letter with us going for a double bill with the later coming out next week. The horror genre loves sequels so
On Saturdays, we pick the best (or worst) films to watch for that night. We do not go for some classic thoughtful film, oh no, no no, we go for the B-movie! So far we have come across The Blob, an Italian cannibal film and Rubber a sentient tyre that
We finally come to the end of our trilogy through horror films that you should watch that begin with H, what a ride… With that said we have some classic horror films in the list today. Let’s get into it! Hush (2016) One of the standout reasons to love Hush
Last time out it was decided that H was just too much of a monster of a letter in horror to have one post. So we split it into three! This week we present part two of this bumper letter. Let’s have a look at what we have today. Hellraiser
This week we could have had a mammoth post, but I have decided to split H, not into 2, but 3 posts! Yes, H is filled! I could have added more, but these were my favourites. This week’s post will be from Ha to He just to simplify and make
Welcome back to another Saturday Night B-Movie review. Last time out we reviewed Rubber, a film about a sentient car tyre… Yep. This time out we lock at Irvin S Yeaworth Jr’s The Blob (1958). When teenagers Steve Andrews (Steve McQueen) and Jane Martin (Aneta Corsaut) witness what they think
Every Friday we venture into world cinema and this week we are heading back to Scandinavia and specifically to Sweden for Let the Right One In, a modern classic adaption of the book from the same name. Shall we? Synopsis Oskar (Kåre Hedebrant) is a lonely boy dealing with the
Welcome back to my series of effectively a massive list of horror films to watch. Last time out we got to the F’s in our ABC’s and now we move on to G! Fun times. Without further ado, here are 14 horror films to watch beginning with the letter G.
Welcome back to another Saturday Night B-Movie review. Last time out we reviewed Umberto Lenzi’s cannibal film Eaten Alive! This time out we review Quentin Dupieux’s Rubber. A film about a homicidal car tyre. Yep, we went there! Yes, this film is all about a sentient car tyre that decides
Welcome back to my series of effectively a massive list of horror films to watch. Last time out we got to the E’s in our ABC’s and now we move on to F! Fun times. Without further ado, here are 13 horror films to watch beginning with the letter F.
For the next 50 Mondays we are going to be looking back at 50 science fictions that I love or maybe have missed. To start us off I thought it would be apt to look back at one of the best ever and one of my favourite ever films, Ridley
Every Saturday we are going to look back at classic or not so classic B-Movies, because let’s face it, what night is better to watch a B-Movie than a Saturday right? To start us off we are going to look at Umberto Lenzi’s Eaten Alive! (or Mangiati Vivi! Doomed to
Welcome back to my series of effectively a massive list of horror films to watch. Last time out we got to the D’s in our ABC’s and now we move on to E! Fun times. Without further ado, here are 10 horror films to watch beginning with the letter E.
Welcome back to my series of effectively a massive list of horror films to watch. Last time out I wisely followed up A with B and now we come to C! Funny how that works! Without further ado, here are 13 horror films to watch beginning with the letter C.
Welcome back to my series of effectively a massive list of horror films to watch. Last time out I wisely started with the letter A, so it makes all the sense that today B would be next. Funny how that works! Without further ado, here are 13 horror films to
With news that Universal is going to delve into The Thing franchise again (wisely going to the books this time) I thought it was a good opportunity to revisit the wrongly maligned prequel to 1982s The Thing… poorly titled, The Thing. For the purposes of this article, I am going
I love a good horror film and thought that it would be a great idea to make a horror film list, but not just any horror film a list how about an ABC list? Granted this has become a lot more daunting than I imagined, but I think I have
We recently looked at how close Prometheus came to being a classic science fiction film and had a few solutions on what needed or could have been done to make it a truly great film. In this occasion of Backseat writer, we are looking at Alien: Covenant. Which sadly needs
First-time director Rose Glass’ first trailer for her psychological horror Saint Maud was released today and we have some thoughts about it. Saint Maud follows a newly devout hospice nurse (Morfydd Clark) as she begins to become obsessed with saving a dying patient’s (Jennifer Ehle) soul from Hell. But in doing