Tenants is an anthology that contains several particularly strong shorts, with none disappointing. Perhaps having too many segments throughout causes the stronger portions to run a touch too short, bu...
Bold in its execution, Alan Scott Neals’ Last Straw takes us down a path less travelled with some twists that work immensely to the films advantage. Jessica Belkin and Taylor Kowalski give it their al...
Alien: Romulus is an entertaining, anxiety-inducing film that, at times, feels too caught up in trying to be nostalgic for its own sake. However, when it tries to be its own film, it becomes a thrilli...
A short with all the potential in the world, Hell is a Teenage Girl has its tongue firmly in its cheek as it gives little nods to the horror cliches we love. What we have is a film that you can’...
Kryptic, with it’s promising potential gets lost within its own aesthetic and desire to be rife with ambiguity. Chloe Pirrie and the cinematography are the shining lights in a film let down from...
Carnage for Christmas is a lean, strongly-written horror. Alice Maio Mackay has made a confident and engaging slasher that hits the right notes to be a fun and satisfying seasonal horror watch. The un...
Full to brim with charm, Humanist Vampire Seeking Consenting Suicidal Person strikes the perfect balance between being a touching coming-of-age story and a wonderful dark horror comedy. Sara Montpetit...
House of Screaming Glass is an intriguing micro-budget horror that focuses on asking more questions than answering them. An almost abstract, experimental film that is a nostaglic nod to 1970s psycholo...
Few films evoke as much dread as Caye Casas’ The Coffee Table. It’s a spirited film that, at points, you begin to think is absurdly cruel because Casas drags out our misery, becoming quite...
Daniel Bandeira’s film Property highlights the ever-widening and ethically deflating socio-economic gap between workers and management. While faltering slightly in the middle, this remains a ten...