#ArmyoftheDead flatters to deceive with a premise that should make it stand out. but is severely lacking in its script by being just too predictable. Neither disappointing nor great, this is a film that settles with being just okay.
Stalker is hampered by a laboured & predictable middle half but is saved with a cracker of a final act. A solid thriller that visually paints a great picture, but falls just when you want it to leap. However, it is still worth your time.
As The Oak Room begins, you never expect it to be as thoroughly engaging as it eventually becomes. Cody Calahan’s film is assumedly effective in a lo-fi movie that strikes you with its simple premise and striking visuals.
Gillian Wallace Horvat’s wonderfully uncomfortable yet sharp debut feature I Blame Society, is a film that gets under your skin and once it gets going takes zero prisoners. We have a film that is as fantastic as it is creative.
Siberia is a film that will disappoint those wanting an intriguing thriller, but if you stick around for a doomed romance plot, then there is something worthwhile here. Sadly there isn’t much else to grasp onto.
Welcome to your new favourite cult midnight movie. For the Sake of Vicious is a film that wears its bloody heart on its sleeve and, after a tense opening half, let’s loose in ways that will have you clapping away in glee.
Red Rage throws everything at the wall, and in some cases, parts stick, but far too often, it slides down said wall as slowly as possible, and never bothers trying to clean up its own mess.
Silk Road sees documentarian Tiller Russell venture into dramatic fare with a story that should be right up his alley. Yet by altering this true story, some of the emphasis is lost, hindering itself from the get-go.
Laurence Gough’s second feature is a film that you cannot predict, and from the tense and harrowing opening, the audience will not be able to peel their eyes away from the screen. A true gem of a picture.
Robi Mitchell delivers a wonderful feature debut with Every Time I Die that demands your attention throughout. An understated film that rewards the audience by the final act. Sam (Drew Fonteiro) takes up an offer from his friends to stay at a remote lake house when he is tragically murdered,
Amy Adams stars in the thriller The Woman in the Window, not a remake of Fritz Langs film, but an adaption of A.J. Finn’s book of the same name. The film tells the tale of Anna, an agoraphobic developmental psychologist who ends up in the middle of a potential crime